Archive Music > Music Performer Aimee Mann - 1 products found
Reviews on "Archive Music"
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Aimee Mann in general:
... was on a cold day in a car on a works trip to Manchester that Aimee Man was introduced to me. My colleague (the driver and owner of said car) knew Aimee Man and is a mad fan of hers. As soon as the music drifted out from the speakers we shut up and listened. The words, the music, everything is just brilliant. I now have 2 of her albums (I am fairly new to liking her) and stick them on my CD player whenever I get t... Read the full review: Why did no one tell me? by PenelopeWillcox |
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Reviews on "Archive Music"
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Aimee Mann in general ... was the debut album from Aimee Mann, who at the time had just left a band called Til Tuesday. It was certainly not simply a case of female-vocalist-in-the-band-goes-solo - Mann was involved in writing all the songs on this album, and it was immediately evident that she is a writer of quality songs. "50 years after" is a lovely specimen of power pop, with some Badfinger style guitar - this song even features Roger McGuinn on guitar and backing vocals, soit was bound to be a winner with me. Another track, "Could've been anyone", features some wonderful Byrds-y guitar sequences, again courtesy of McGuinn himself. Many of the ... Read the full review: Whatever - Aimee Mann's first album by cswann |
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Aimee Mann in general ... first heard Aimee Mann on an advert for Magnolia ages before the film came out. I thought it sounded really nice, perhaps like every other acoustic female lead, but it wasn't until I got the album that I realised this was something truely special. Mann's songs are poignant and meaningful, apparently so much so that they actually inspired Paul Thomas Anderson to write the film Magnolia around her songs instead of vice versa. She has a beautiful voice and is at her best with songs such as 'Save Me' and 'One' which are really heartfelt and honest. This is a great album! ... Read the full review: Really Brilliant artist by |
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Aimee Mann in general ... Mann is one of the best female singer songwriters around, yet somehow gets over-shadowed by lesser performers like (yuk!) Alanis Morissette or the increasingly mad Bjork. She's more a peer of people like Suzanne Vega, Tori Amos, people like that. Her best album is probably 1995's I'm With Stupid, but 1993's Whatever is also superb, as is the Magnolia Soundtrack which is all but a solo album (Supertramp and Gabrielle creep on, but it's mainly Aimee's work) She has one of the best voices around, and has a great grasp of lyrics very much like the aforementioned Suzanne Vega, and if you've never checked her out then you are being left ... Read the full review: Very under-rated by SimonJohnson |
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