Many people get into singing in many different ways either by: connections in the music industry (if you're related to someone in the industry basically - this is sadly a common thing), by an agent or either entering a reality TV show, but very few become huge on reality TV shows. I Think the most important things to become a singer is 1. Someone who is unique - stands out, bit different to everyone else 2. Someone who has Charisma - third most important 3. The look - sadly this how it is image, but girls wearing revealing clothes to audition doesn't mean agents, audition panel etc will like you more. 4. The attitude - a good attitude looks good. 5. The voice - most important, your voice must be strong, clear and well trained. However there are singers out there who naturally have good singing voices and born to sing. 6. Someone who can entertain - second most important However not all singers will become more successful than Madonna or Robbie Williams and win all the grammy awards in the music industry. It may be a struggle for some and it can take a decade for some to get to this point. However, like any performing arts industry this is a difficult to crack. If you're a singer you have to be prepared for travel, filming late nights, rain or shine. I personally think that music is difficult to crack, but you never know, it has happen to someone!
To me, a good singer doesn't mean they have to have the perfect voice. They don't have to hit every single note perfectly or have some amazing angel-esque voice. That isn't necessarily a good singer, just a technically proficient singer. The key component that makes a good singer in my opinion is very simple: Passion. Obviously you can't expect to love a singer who has an awful voice but a lot of passion. The thing is, an angelic voiced singer who lacks any feeling or emotion does not do it for me, whereas a good singer who puts their heart into their work can blow me away. Another component to a good singer is variation and uniqueness. You don't want to hear the same voice as every other band on the face of the planet, you don't want to hear them singing the same way as they have been throughout their career. A bit of variation is definately needed. Not a very long review I know but I just saw this topic and needed to put my thoughts across. Thanks for reading.
I have just read with interest the first review for this topic. As I have just finished watching the monstrosity that is also the auditions for XFactor I though I would have my say. So move over Mr Cowell, here are my ideas of what makes a great singer. As a classicaly trained singer who has been through years of regimented choirs, bands, and assessed singing grades I have a slightly tainted view I think. I like singers who dont moan when they have a sore throat, or who have been practicing in the right way so that they dont ruin their voice. I love singers who use just the right amount of vibrato, not the beyonce types who warble the note until it isnt even the right note anymore! I like simple touches in their vocal style, like turning around on a note to make it different each time. I like singers who sing from their tummies with support, not the ones who get a muscle straining in their neck from using their throat too much. I like singers with good facial expressions, this is so important in opera when they are supposed to be telling a story through song. I hate it when singers are divas and are singing with an orchestra and try and change it to completely their way without considering all the other musicians. I hate pop singers who cant sing to pitch so have their voice changed in a studio up to pitch. I cant stand it if Im singing something and someone joins in, and changes the key about 6 times! Just sing it in tune or not at all! I only dont mind this when Im very drunk. This may sound a bit upmyself and annoying to some people, but when you have been around a lot of different singers, you pick up a lot of different habits and notice a lot of tendencies. END OF RANT. Singing is a great way of expressing yourself and your emotions. It can convey some meanings where in other ways you might not be able to explain it. Singing in a choir or with an orchestra can fill you with a great sense of community and it gives you an amazing feeling. The sound that can be created through a group of voices and harmonies can be magical. I think that the best singers are the ones who work well with others, who use their voice to the importance that is needed and who bring different emotions to people who hear them.
Some people may find this an odd subject to write about, but DooYoo accepted it as a suggestion, so that's fine by me. Music is my lifeblood, my passion and my world. Of course, my appreciation of a well-written song holds no bounds, as does supreme mastery regarding playing any musical instrument, but for me the whole show can fall totally flat on its face when an otherwise superb piece of music is totally ruined by a sub-standard singer. So, what do I personally believe constitutes a good singer? It is my feeling that a singer doesn't necessarily have to be in possession of a trained voice, nor sing in a conventionally accepted way - nor do they have to be pitch-perfect. Somebody with a voice from heaven can make a song totally uninteresting if they just sing it flatly, with no soul, feeling or emotion. It is very important to me that a singer FEELS what they are singing, and projects it via their voice. I can't quite put into words exactly what I mean, other than to say a song can be given a whole new makeover if it's performed by a good singer who gives it their all. I'll talk (hopefully briefly) here about a few of my favourite singers, and try to elaborate on why I personally feel they are so good. VAN MORRISON His voice has mellowed and matured with age, but it's always appealed to me. I think Van's singing is a bit like Marmite - you love it or hate it, and I love it (even though I'm indifferent to Marmite!!!). For me, Van has an incredible range in his voice - not so much up and down the musical scale, but along the range of soul and subtle feeling he is able to inject into his singing. He to me is incredibly skilful at changing the inflexion in his voice with ease, to suit the mood of any particular line in any song. Van sings great ballads, great rock & roll, great jazz and has true depth and character in his voice and delivery. EVA CASSIDY Despite the pained facial expressions she sometimes pulled whilst singing, Eva's voice has never ceased to amaze me. She had an incredible range and effortlessly changes the pitch of her voice from quiet to a harsher sound, without becoming grating. One thing which really impresses me about the late Eva Cassidy's singing is that her voice was completely devoid of irritating vibrato, that can often ruin a perfectly good song and bring a singer down many notches in my estimation - even though a handful of singers have managed to get away with it. ELLA FITZGERALD What an amazing voice this lady had! I never stop marvelling at the ease with which she took on a song with enormous scale range, and effortlessly turned it into a masterpiece. Ella wasn't what I'd call an impassioned singer, as most of the material she produced didn't require a heart-rendingly emotive input, but she managed to always, without fail, easily mould her voice to hit the right "feelings" spot with each note she sung. JOHN LENNON As a singer, John was by no means what anybody would think of as bringing the house down solely with his vocals, nor was he a male "songbird", but for me he injected true passion - albeit sometimes gently - into everything that he sung. His voice to me has always sounded so very sincere and honest, with a hint of vulnerability that was special only to him. He also sang great rock & roll, and I love that gruffness he put into his voice during the Beatles' rendition of "Twist and Shout". BILLIE HOLLIDAY I can't say that I am overly keen on the actual tone of Billie Holliday's voice, but the feeling she injected into her singing holds no bounds. This lady certainly knew how to put across a song, and deserves her "Queen Of The Blues" posthumous title. JANIS JOPLIN This lady's voice was rattly, gravelly and base - yet, I'd even go as far as to suggest that she poured even more feeling into her singing than Billie Holliday (who I believe was her major influence). Janis' astonishing rock/blues style is riddled with gritty overtones, and I'd even go so far as to say that the "edge" she managed to put into her voice is very similar to how Van Morrison does it. LEONA LEWIS This young lady just has an incredible, astonishing voice with an almost alarming range. She appears to take the stage and sing with perfect ease, injecting the right amount of feeling and passion into her work, without overdoing it and sounding mawkish. To me, like the others above, Leona seems to be able to feel any song she is singing, and her personal interpretations show me that she is actually part of what she sings, and isn't just opening her mouth and letting the words tumble out. OTIS REDDING Wow! This man could sing! For me, the very definite King of Soul - who could convey a whole range of emotions with just one word, using heartfelt and skilful feeling. Why is it that most of the very best singers had their lives cut short so tragically? BARBRA STREISAND I am not a fan of the type of music Barbra Streisand performs, but to me she has an exquisite way of crafting her voice around a song, injecting just the right amount of feeling, and transmitting appropriate emotion into her voice with each line she sings. She has an incredible range, and can run from one end of the musical scale to the other with ease. Well those above are at the top of my brilliant singers' brigade - there are more, but those for me are the cream. There are some singers which other people feel are good, but for me they just don't have what it takes to convey a song in that very special and intimate way, even though I may like their music. Some of the people who for me don't make the singer grade and don't hit my personal spot, are:- STING He just sounds to me as if he is straining, and though he can carry a song, he doesn't put any feeling into it at all - just hits some very high notes, rather awkwardly. FRANK SINATRA I might lose some friends for saying this, but I feel Frank is one of the most over-rated singers to have lived. He can sing a song in tune and make it sound OK, but there's no depth of feeling or appropriate voice inflexion......yes there is voice inflexion, but it's inappropriate. He just sings......that's all! FREDDIE MERCURY I have always found Freddie's voice grating and unpleasant - a harsh and strident shout rather than a range of different vocal tones. Also, he for me is another who always came across as just opening his mouth and letting a song fall out, with no personal input, feelings-wise. Any rock singer with a big voice can mesmerise a stadium audience with sheer power and loudness, but it takes a special person to interpret a song in a way that it drives a nail into the emotions. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ To close, I'm of the opinion that for somebody to project a song in a way that touches the soul, they have to have a deep and unique bond with not only the music they are singing at any particular point, but with the whole concept of music in general, plus a deep and powerful sense of the essence of life! That's all folks.....thanks for reading!