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Written by Hayao Miyazaki and Keiko Niwa, on the basis of the children's book "The Borrowers" by Mary Norton, "Kari-gurashi no Arietti" ("The Secret World of Arrietty," 2010) is the tale of Arrietty (Mirai Shida), a tiny girl called a "borrower," living in the foundations of a house in the countryside with her parents. One night, her father allows her to come along for her first borrowing expedition (essentially taking something invaluable and replacing it with another item as a fair trade), only to attract the attention of Sho (Ryunosuke Kamiki), a young boy come to the house to await a pending heart operation that will determine if he'll live or die. Though warned by her parents not to go near humans, Arrietty disobeys and soon comes to trust Sho; however, nosy housekeeper Haru (Kirin Kiki) begins to suspect something is off in the house and becomes dead set on capturing one of these "little thieves" she believes are hiding in the residence.
Infinitely charming, if perhaps only slightly constricted over its setting (one wishes even more would have been made of the dangers of predators posed to people so small), this is still a very enjoyable movie nevertheless, with an appealing lead character, a beautifully realised double world where everyday objects become something new when perceived through the eyes of people the size of a finger, and some nice details on the logistics of having to work around the larger scale. This is wonderful family entertainment with excellent pacing and even a bit of thrilling action, making this definitely one of the better of the studio's films post-"Spirited Away." Typically fantastic animation and a good overall story flow from first time director Hiromasa Yonebayashi. Also available in both American and British English dubs. (c) berlioz 2014
In an age were most animated feature films are computer generated it is good to see that Studio Ghibli perseveres with telling stories in the traditional hand drawn 2D format. Although there are plenty of cartoon movies produced in Japan, anime is seen as a niche genre so most of them don't get a big screen release over here. Thankfully the Ghibli masterpieces get some box office exposure on these shores thanks to a distribution deal with Walt Disney. Arrietty, which I am reviewing today, is the latest offering I have watched from the legendary Japanese studio whose previous works include the highly regarded Grave of the Fireflies, Princess Mononoke and the Oscar winning Spirited Away.
Arrietty is Japan's take on the 1950s children's book The Borrowers, a property that has already been adapted several times into live action movies and a TV show. Esteemed animator Hayao Miyazaki helped to pen the script, for this version of Mary Horton's book, leaving the directorial duties in the hands of newcomer Hiromasa Yonebayashi. Thankfully having an inexperienced chap at the helm hasn't impacted on the quality of the piece, with the film sporting the quality animation and attention to detail that Studio Ghibli is renowned for.
The movie is titled after the protagonist Arrietty Clock who is a young Borrower (a race of diminutive humanoids.) Arrietty and her parents live underneath a house situated in the Japanese countryside. When the film kicks off Arrietty has grown enough to assist her father with his after dark scavenging trips were they "borrow" items and food from the humans who reside in the house above them. Due to the potential dangers of being exposed, Borrowers shy away from humans and keep their existence a secret by only borrowing insignificant things from their hosts, which will go unnoticed (like a cube of sugar or piece of tissue paper.)
Unfortunately for Arrietty her inaugural borrowing excursion doesn't go well. The over zealous youngster, excited at the prospect of exploring the upper echelons of the human house, ends up getting seen by Sho, a sickly boy who recently moved into the peaceful country home to relax in anticipation of necessary surgery on his heart. Although forbidden to interact with humans, due to the potential risks that can arise, Arrietty ends up forming a friendship with the boy as the lonely pair don't have anyone from their own age groups to mingle with. For a while things seem to be going well, but all that changes when the home's cruel housekeeper catches wind that minute thieves may be scurrying under the floorboards.
Although the story is fairly straightforward and simple I found myself captivated throughout the movie's ninety minute duration due to the sublime artwork and likeable characters. Once you get invested in the narrative it is easy to accept that the cast are alive instead of being composed of still images due to the neat little touches the animators add. The way Arrietty interacts with the environment is so life like such as how she brandishes a clothespin like a sword or nonchalantly picks up a nearby curled up woodlouse and plays with it as if it were a football.
Arrietty is a sweet girl and I imagine most viewers will have no problems rooting for her. I dug seeing the world from her perspective and how something humdrum like a garden becomes an inhospitable jungle for someone of her stature. Her father comes across as wise and composed in contrast to his wife whose hysterical panic attacks provide some comedic moments when disaster strikes. Unlike the bratty kids you find in other cartoons Sho is a well-mannered ally to Arrietty so I always felt concerned when he overexerted himself keeping in mind the weak heart he suffers from.
It's easy to praise Arrietty from a cosmetic point of view, but I should also point out that the movie is no chump when it comes to auditory treats either. I found the score, composed by French harpist Cecile Corbel, to be beautiful and the voice actors all did a brilliant job bringing the characters to life. The European Studio Canal release has a voice cast including Irish actress Saoirse Ronan, English actor Mark Strong and Billy Elliot the Musical dancer Tom Holland. After listening to their portrayal of the characters I couldn't imagine anyone else playing the parts, so I would advise against importing the Region One version of the movie that has populated the roles with kids from Disney Channel shows.
As far as grading goes, I have no hesitation awarding Arrietty five stars. Even though it's not the sort of thing I normally go for, I found myself falling in love with the movie's whimsical tale. It's hard to gage how others will evaluate the movie, but I suppose Arrietty's biggest critics may be kids in their early teens. Their limited attention spans may not allow them to enjoy something lacking in action or crude fart jokes. Anyone else should however give it a thumbs up. The artistry of it all should mesmerize youngsters whilst their parents should appreciate the wholesome storytelling that out-disneys Walt Disney.
Based on The Borrowers, Studio Ghibi's latest film is a beautiful reimagining of such a world with little people who borrow.
~~~THOUGHTS ON PLOT~~~
During Arrietty's first borrowing, she is spotted by a young boy Sho who just moved into the house to rest before his heart operation. Having always been told to steer clear of Human beings, Arrietty is fearful of what being discovered would mean to their family. But when Sho seeks to protect her and her family, an unlikely friendship begins to blossom.
The pace of the movie throughout was rather slow. Whilst there was a slight buildup towards the end, it was not as dramatic as what I would've expected and the whole thing felt a bit melodramatic, lacking a sense of adventure.
Whilst the plot lacked intensity, it was compensated by the sheer beauty of the animation and the subtle details that this movie encapsulates. The focus here perhaps is admiring the world from a different point of view. From Arrietty's perspective, the world seems so dangerous- the creepy insects that are her neighbours, the predatory birds that inhabit her sky...
I especially liked the subtle scene changes where a lady bird may fly off, or a bug crawls away, or water droplets falling off a leaf. This kind of attention to detail is missing in many films and add to the richness of this 'secret world' we are made to discover.
Emotionally, the film delivers its full impact at the very end. I'm not the biggest fan of how it ends, but it is a potential tearjerker both in terms of script and imagery. However, I did feel there could be a more conclusive ending in terms of tying the loose ends of what happens to Sho and what happens to Arrietty.
Saoirse Ronan- Arrietty
Tom Holland- Sho
Olivia Colman- Homily (Arrietty's mother)
Mark Strong- Pod (Arrietty's father)
Despite lacking an adventurous plot and a more climatic buildup, 'The Secret World of Arrietty' is a beautifully imaginative film that presents a stunning array if imagery with un underlying emotional story that will encapsulate many hearts.