Welcome! Log in or Register

She (DVD)

  • image
£6.99 Best Offer by: 991.com See more offers
3 Reviews

Genre: Action & Adventure / Theatrical Release: 1982 / Universal, suitable for all / Director: Robert Day / Actors: Ursula Andress, Peter Cushing, Bernard Cribbins, John Richardson, Rosenda Monteros ... / DVD released 2006-11-13 at Optimum Home Entertainment / Features of the DVD: PAL

  • Sort by:

    * Prices may differ from that shown

    More Offers
  • Write a review >
    How do you rate the product overall? Rate it out of five by clicking on one of the hearts.
    What are the advantages and disadvantages? Use up to 10 bullet points.
    Write your reviews in your own words. 250 to 500 words
    Number of words:
    Write a concise and readable conclusion. The conclusion is also the title of the review.
    Number of words:
    Write your email adress here Write your email adress

    Your dooyooMiles Miles

    3 Reviews
    Sort by:
    • More +
      03.04.2011 17:01
      Very helpful



      A stylish adaptation of a classic historical adventure with Ursula Andress looking at the best.

      In this Hammer studios outing we are taken to darkest Africa, at least that is the way that the continent seemed to always be portrayed in all the films up to the 1970's. Hammer take on the with great aplomb the classic adventure novel 'She' by Henry Rider Haggard also famous for 'King Solomon's Mines' and the Allan Quatermain series. 'She-A History of Adventure' to give it its full title was first published in serial from in 'The Graphic' magazine from October 1886 to January 1887. She has been adapted for the screen at least 10 times over the years but this version although not totally faithful to the novel remains the best known.


      We begin in post WWI Palestine, the year 1918. Three friends Major Horace Holly who is an expert in classical ancient history, his ward Leo Vincey and Holly's valet Job now all demobbed wonder what they will do with their lives now the war is over. In a sleazy bar in Palestine Leo is approached by a beautiful girl Ustane and is then knocked unconscious and abducted by a mysterious Arab Billali who has noticed that Leo bears an uncanny likeness to a figure on an ancient coin. On waking Leo fleetingly meets a beautiful woman who speaks to him in riddles about having known him in the past and gives him an ancient map that shows the way to the long lost Pharaonic city of Kuma that legend states was founded by an exiled Egyptian priest Killikrates and lies beyond the Mountains of the Moon. She tells him that if he completes the treacherous journey at the end all his wishes of power, riches, glory and love will be fulfilled. Soon the group mount an expedition to the city. After many obstacles on the way, on reaching their destination they find that the city in part is still inhabited and ruled by a powerful Queen Ayesha 'She who must be obeyed'. The real reason for the expedition now becomes clear and the three adventurer's lives are put in great danger.


      Ursula Andress who plays Ayesha was off course the first and recently voted the best Bond girl. This is one of her many post Bond roles and she looks stunning. There is another tenuous Bond connection to this film in that John Richardson playing Leo, whose career faltered somewhat on an international stage at least after the 1960's, was actually considered to take over as James Bond from Sean Connery but eventually lost out to George Lazenby.

      This film has a lot to commend it, Ursula Andress is stunning as the immortal Queen and you can certainly believe that Leo would travel to the ends of the earth to be with her. Although relatively inexperienced as an actress this was a perfect role for her even though her English wasn't deemed to be good enough and just as in Dr No her lines were dubbed by Monica van Der Syl.

      Hammer heavyweights Peter Cushing and Christopher Lee while not taking the centre stage are at their best providing the films with added gravitas through their acting talents. A Hammer film with both Cushing and Lee in it is always worth a watch. Light relief is brought in by the wonderful Bernard Cribbins as the comical Job constantly moaning and being ill at ease with the trials and tribulations of the expedition, watching him riding a camel is a great sight.

      John Richardson takes on his first big role and it has to be said although he looks every bit the handsome leading man he does come across as a little bit wooden at times. He was also dubbed for this film; his rather monotone delivery wasn't thought to match his dashing good looks. A year later he was to have even greater success as the grunting caveman (monotone delivery didn't matter) in Hammer's smash 'One Million Years B.C.' where he starred alongside another of the 60's great sex symbols Raquel Welch, lucky man! In this film he is upstaged and out-acted in every scene but does just about enough to convince in his part. This was a particular failing of many of Hammer's movies, they often had wonderful backing and supporting cast employing the best character actors but never quite had the budget to hire the very best leading men and so hired up and coming actors into the lead roles not always with great success. Having said this Richardson is not by a long way the worst of these.

      Alternative love interest Ustane is provided by Mexican starlet Rosenda Monteros whose biggest claim to fame was having played a small part in 'The Magnificent Seven'. Hammer regular Andre Morell also has small part as Ustane's father and is always worth his fee.


      The story itself is interesting in that it is one of the first examples of the 'Lost World' sub-genre of adventure fiction, a style that has been used many times since haggard wrote his novel. The original book was massively popular on its publication and has never been out of print, by all standards it is classed as a classic of fiction and Hammer who did in this period vary their output form simply horror obviously wished to capitalize on the book enduring popularity. Since the last major adaptation had been filmed in the 19030's and updated version was certainly due. I've always been a fan of this kind of adventure novel, this is set at a time when the world was a much larger place, there were still blank spaces on even the best maps and it was possible to travel into the unknown something which nowadays requires either deep sea exploration or deep space exploration. This is the kind of story that years later Spielberg would exploit in the Indiana Jones films, real 'boys own' stuff.

      As with many novels of the time there are strong racist and sexist themes running thorough that a modern readership might find objectionable one can say that Haggard was simply reflecting the prejudices of the time and in any case the film adaptation is far better in this respect although the native Africans and Arabs are portrayed as little more than superstitious savages to the more enlightened Europeans. Other aspects of the story are rather more in tune with our time. Haggard original story focused on the worship of beauty and youth over all other considerations and the ultimate desire for immortality does rather go well with our modern day obsession with image and youth and celebrity, being famous and remaining famous is one way to becoming immortal.

      The film surprisingly gets quite dark in places and in the second half, once we have reached the lost city and Leo is faces with some hard philosophical and moral decisions to make it all becomes quite gripping. An action-packed finale leads to a rather surprising and bleak ending, which only serves to make this version distinct from the rest.

      Much is made of the location; we see plenty of desert scenery, sand dunes and the liberal use of Camels. Hammer filmed the outdoor sequences in southern Israel which was one of the reasons that this was to be hammer's most expensive film to date with a budget of £323,000. Although the film suffers from a slightly light touch by director Robert Day and in places the pacing is a little too slow, as a spectacle it certainly impresses with great costume and set design. It manages to combine what Hammer had always had a reputation for mild eroticism and violence in to a package that a mainstream audience would appreciate. 'She' performed well at the box office and eventually spawned a less successful sequel in 1968.



      Ursula Andress ... Ayesha (She who must be obeyed)
      Peter Cushing ... Holly
      Bernard Cribbins ... Job
      John Richardson ... Leo
      Rosenda Monteros ... Ustane
      Christopher Lee ... Billali
      André Morell ... Haumeid

      UK classification U (nothing to worry about here, a little mild mostly implied violence)
      Runtime : 101min

      This DVD is part of the Hammer Collection and apart from the film overall it is a little disappointing.

      Firstly the print is not all that good, there are still quite a few scratches visible and it would have been nice to have are re-mastered or restored version of the film. Secondly it included no bonus material, no trailers, no interviews, no commentary and no 'making of' featurette nothing. The film is all you get.

      Overall this is a good film, one of the best from Hammer in this period and although not typical of the studio's better known output it is well worth watching. The DVD is slightly miserly and the whole thing could've benefitted from restoration.

      'She' can be bought from Amazon.co.uk for £4.47 including free delivery in the UK at the time this review was written.

      Recommended (if a little disappointing with quality and extras on DVD)

      © Mauri 2011


      Login or register to add comments
      • More +
        20.05.2010 23:10
        Very helpful
        1 Comment



        A pretty decent attempt all in all. Worth watching. Some cracking acting.

        'She' is another of the Hammer Horror classics, filmed in 1965 and is an adaption of the novel of the same name by H. Rider Haggard. Though not one Hammer's best films, it's one of the more famous and even coined the phrase "She who will be Obeyed". It start Hammer favourites Peter Cushing and Christopher Lee, with good support from Ursula Andress and Bernard Cribbins and John Richardson.

        This is actually more of an Adventure that it is a horror, which is what Hammer Studios were best known for.

        Set in 1918, just after World War 1, Professor Holly (Cushing), young Leo (Richardson) and their loyal manservant Job (Cribbins) have received their honourable discharges from the army and are setting up an expedition to travel into the unexplored north eastern area of Africa. However, before they set off, Leo is briefly kidnapped and is brought before a woman called Ayesha (Andress) and her second in command Bilali (Lee). Ayesha informs Leo that he could be the reincarnation of her lover who died 2000 years before, and that he should travel through the desert and find the city of Kuma to prove who he is. She then has him thrown out, and he goes to fetch Professor Holly and Job. However, when he returns, Ayesha has gone.

        So, to find her and the lost city, Professor Holly, Leo and Job all venture out into the desert to find the lost city, where they soon discover the secrets begind the city of Kuma, the secret of Ayesha and treachery and danger, leading a typically Hammer style over the top climax.

        Though it's a good idea, this film lacks a certain punch at times that has always been associated with Hammer. At times, it's a little too slow and it needed a little more action to keep it moving along. However, it's still a good Hammer film and provides enough entertainment to make it easy and pleasurable to watch.

        The cast do make this film a cut above, to be fair. Peter Cushing and Christopher Lee were always Hammer favourites, and they're on top form as you would expect. The support from Ursula Andress as Ayesha is good, and both Bernard Cribbins and John Richardson hold their own in a film that could have been a lot better.

        Over all though, it's still worth watching and has enough action and tension to pull it through.


        Login or register to add comments
        • More +
          08.02.2010 16:09
          Very helpful



          A sub-standard Hammer film.

          Film's Title - She
          Year of Release - 1965
          Director - Robert Day
          Stars of the Film - Ursula Andress, Peter Cushing, Christopher Lee, Bernard Cribbins, John Richardson
          UK rating - U

          I recently bought myself The Hammer Collection - a 21-film set of some of the movies produced by the Hammer Studios on DVD. Although being known mainly for their horror films, Hammer has produced films in other genres. The first film in the set is She, so I watched that first. This I would put in the adventure or romance genre.

          After a bizarre set of opening titles (accompanied alternately by traditional African music and romantic flowery melodies), we first see three British men in a club, enjoying its delights - wine, women and song! We discover they have recently finished military service in the Middle East and are now celebrating by experiencing the local culture.

          There is the distinguished archaeologist Holly (Peter Cushing), his friend Leo (John Richardson) and Holly's valet Job (Bernard Cribbins). They all come across as very English and are enjoying themselves as "Englishmen abroad", when an attractive brunette arrives - a local girl called Ustane (Rosenda Monteros), who Leo goes over to talk to.

          Leo walks out of the club with the alluring Ustane and after being knocked unconscious, he is taken to a palace where he meets a mysterious and beautiful woman, known as 'She who must be obeyed' or Ayesha (Ursula Andress). She gives him a gold ring and a map, saying that if he finds her again, he will be given everything he wishes - including her love. So Leo, Holly and Job head off on a journey to find the Lost City, for Leo to claim his prize.

          While this quest idea is certainly not original, I have seen these films done well before. Sadly, this one makes a complete mess of it. Despite being just over one hour 40 minutes long, it still drags and has long dull sequences, which surely could have been edited to hike the pace up a bit.

          When the titles displayed 'She' then starring 'Peter Cushing as Holly', I fleetingly wondered if Cushing was going to turn up in a dress and - believe me - that would have made for a more interesting film! Despite the impressive cast list and two beautiful women, this movie is really not worth seeing.

          When the three men are trekking through the desert, I'm sure I felt every step with them. This film feels like walking through deep sand - with no oasis in sight, except the closing credits. I kept waiting for it to get better, but it didn't.

          I also felt uncomfortable with the portrayal of the 'natives' here and the black slaves as well. While I wouldn't say the film itself was racist, there were certainly some black stereotypes which felt dated, watching it in 2010.

          There were some good points. I loved the set with the giant warrior being the gate for the city. Also the scenes involving Cushing and Cribbins were saved by their excellent acting, comic timing and general likeability. These two are brilliant actors and I could happily watch Bernard Cribbins in anything, as he has such warmth and charisma. For me, he was the star of the film.

          Talking of stars, Christopher Lee is woefully under-used here as Billali, She (who must be obeyed)'s main guy. Ursula Andress (She) and John Richardson (Leo) have big parts (Ursula's are regularly displayed in V-neck togas, ha ha!), but both come across as completely devoid of personality.

          Andress is beautiful and graceful, but delivers her lines as if by metronome. (Mind you, the script is terrible!) While her lack of facial expressions throughout could be attributed to the regal bearings of a queen, I'm inclined to think she just wasn't feeling the part. (I wasn't either.) Still, if the current Hollywood trends for plastic surgery continue, we should expect this kind of non-acting from all its stars in the future.

          As for John Richardson, the only good thing I can say about him is that he is pretty. That's it. His acting is dead-eyed and wooden, so you just don't connect with his performance and therefore, you don't care. Personally, I think he should have been killed by that hit on the head early on, then we could have had a film following Cushing and Cribbins on their travels. That way, we might have got a decent film.

          But as it stands, She is dire. Don't bother.


          £3.98 from Amazon UK. But, seriously, there are LOADS of other films at Amazon for that price. Buy something else. You can get Vincent Price's House of Wax for £2.98. That'd be a much better buy.


          Login or register to add comments

        Products you might be interested in