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 Cherry 2000 / No Man's Land - Basil Poledouris - Soundtrack
Description: Genre: Soundtrack / Artist: Basil Poledouris / Soundtrack / Audio CD released 2004-09-27 at Prometheus / Disc #1 ... more  Cherry 2000 / No Man's Land - Basil Poledouris - Soundtrack ... Tracklisting1 CHERRY 2000-Main Title 2 Photograb-Alternate Mix 3 Cherry Shorts Out 4 Lights On-Alternate Mix 5 Flashback #1/Drive to Gloryhole 6 "E" Flips Sam 7 Lights On-Alternate Mix 8 Flashback #2 9 Photograb 10 Magneto 11 Pipeline 12 Water Slide 13 Juke's Jukebox 14 Lights Out 15 Moving 16 Thrashing of Sky Ranch 17 Drive 18 Hooded Love 19 Ambush In The Cave / Truck Fight 20 Lester Follows 21 Drop'em 22 Lester On The Move 23 Rauda (on) Mic 24 Jake Killed 25 Plane To Vegas 26 Cherry Awakens 27 Light's On 28 End of Lester 29 The En 30 NO MAN'S LAND-Main Title 31 P.C.H. 32 First Score 33 Lone Score 34 Love Theme 35 Chase 36 Porsche Power/ Drive My Car? 37 Ann Buttons 38 Payoff 39 Showtime 40 NO MAN'S LAND -End Credits 41 Movietone (Bonus Track) Newest Review: ... that mixed the three disparate elements together into a functioning synthesis underlined by Poledouris own sense of harmonic ... more ... stability. Taking the classical orchestrational clarity of Mozart, he added the stance of a modern western in the style of Ennio Morricone’s Dollars’ Trilogy with its wide brass statements of theme and the synths of Georgio Moroder that also seem to hark to the masterly synth incorporation of Jerry Goldsmith during this time. Incredibly, the three clashing elements taken from the three composers’ styles mix together as if they are meant to be together from the beginning.
The score is rooted by the use of three main th...more |
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Cherry 2000 / No Man's Land - Basil Poledouris - Soundtrack: I'd like an AA battery, a wrench, a screwdriver and a Cherry ... (1789 words)
by berlioz II - written on 25.06.07 (Very useful, 121 readings)
Rating:
I wonder what it is that so many extremely bad movies often seem to attract some of their assigned composer’s best work. There are surprisingly many examples of superior scores being produced by many people for films that have been either complete flops or simply mind-numbingly terrible. Scores such as James Horner’s early Krull, Vangelis’ Conquest of Paradise, John Debney’s CutThroat Island, or more recent examples like Alan Silvestri’s The Mummy Returns and James Newton Howard’s Lady in the Water, are all scores that more than over-achieve the films they have been written for. It is not even a case of a terrible film making any music sound better than it is, but all of ...
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