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Destruction Of The Void - Count Raven


 Destruction Of The Void - Count Raven Music Album
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Destruction Of The Void - Count Raven

 
Description: Genre: Hard Rock & Metal - Heavy Metal / Artist: Count Raven / Audio CD released 2006-01-23 at Cyclone Empire / Disc #1 ... more
Destruction Of The Void - Count Raven ... Tracklisting
1 Until Death Do Us Part
2 Hippies Triumph
3 Destruction of the Void
4 Let the Dead Bury the Dead
5 Northern Lights
6 Leaving the Warzone
7 Angel of Death
8 Final Journey
9 No Ones Hero
10 Europa

Newest Review: ... low and high ranges, and I really don't see the point. It's not as if Count Raven were aiming to be a Sabbath tribute band, ... more

 ... their sound being more rooted in the Swedish doom scene, so the imitation is distractingly pointless throughout. Aside from the strange vocal issue, this album is an improvement over its predecessor in terms of interest, atmosphere and even tone, possessing a more satisfyingly crunchy sound to the guitars and two substantial dabbles in keyboards from the multi-talented Fondelius (who also supplies the guitar) in the form of 'Northern Lights' and 'Europa.' They're both different enough to justify their mutual existence...more

Price Comparison for Destruction Of The Void - Count Raven

Destruction of the Void: Remastered
Release Date: 2006 - 01 - 23, Audio CD, Cyclone Empire
Last Update 29.11.2009 05:47
£ 12.69
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Read Reviews for Destruction Of The Void - Coun...

Frankingsteins
Premium Review Destruction Of The Void - Count Raven: Destruction of the Void (242 words)
by - written on 12/06/08 (Useful, 12 readings)
Rating:

The most striking aspect of this obviously Black Sabbath-influenced doom metal band at this point is just how precisely singer Dan Fondelius imitates Ozzy Osbourne's nasal tones. He never quite convinces that he's the mad Brummie, but he gives it his best shot by mimicking both Ozzy's low and high ranges, and I really don't see the point. It's not as if Count Raven were aiming to be a Sabbath tribute band, their sound being more rooted in the Swedish doom scene, so the imitation is distractingly pointless throughout. Aside from the strange vocal issue, this album is an improvement over its predecessor in terms of interest, atmosphere and even tone, possessing ...  Read the complete review

 

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