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Drukqs - Aphex Twin

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  • at two CD's it's a little long
  • Headache inducing
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    Your dooyooMiles Miles

    5 Reviews
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      03.05.2004 20:54
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      Aphex Twin is not really an artist that I have paid a lot of attention to. I saw one of his videos a few years ago which I found quite uncomfortable viewing, so I think I have probably steered away from his material without really knowing it. However, one of my friends always seems to be listening to music that makes me really take notice, and a few months ago, Aphex Twin was his music of choice. Being honest, I was more than a bit intrigued as it seemed so far removed from the kind of music I have been listening to lately that I wanted to hear more of what they had to offer. This was the album I chose to buy, and what follows is my thoughts on it after listening to it for a few months, although not continually I might hasten to add! The album starts off quite mellow, but do not let that lull you into the wrong mood, as your senses will soon be attacked by a complete mess of sound. Beats that bear no resemblance to the bassline, and then melodies which seem like 'The Twin' (aka Richard D James) got bored of them and cut them off before they were due to finish. The finished sound is just a mangled mess, and at times reminds me of the keyboard playing from Ross in 'Friends'.It is amatuerish at best, and not what I expected from an established artist. I think it is all well and good not bowing down to convention, but he has gone too far the other way, and the result is an album which is hard work to listen to. The track names are barely pronouncable, so I won't bore you with a full rundown of them in this review, which is not normally my style, as I like to give the reader a feel for each track, but with names like 'Vordhosbn', I don't stand a chance! At times, there is a real sinister feel to the music, and I remember now why I never really wanted to listen to the mus
      ic of Aphex Twin, and that is because I frankly find it uncomfortable. I can't even describe why I feel like that, but I think James has an agenda hidden deep inside his music, and I wouldn't even begin to start and try to work him out, because frankly I am not interested, and it would probably also be a complete waste of time, as I think he is not the genius many claim him to be. Vocals are a rare occurence, but when they do come, they are not welcome, as the obscenties are just not needed, and just made me hate the music even more. Some of the samples are common sounds such as church bells, or a person screaming, but when I heard what I suspect was someone taking a pee in a urinal, I just knew that there was no way back for me and this album, but then he used an answerphone message left for him by his parents, and that is not innovative, it is a desperate and lazy attempt to make music. Try something new by all means, but someone relieving themself......no thanks! I can see this music fitting in well on to the soundtrack to a low budget horror film, but nothing more than that. I have to be honest and say that the novelty of them being something different soon wore off, and I realised that initially they do sound different, but all of their music sounds the same! Maybe it is because dance music and the like are not really my cup of tea, but then if this is dance music, I would hate to go to the depressing place that played this all night! The album is too long, too samey, and sounds too experimental much of the time. I have tried and tried to make sense of the music, so much so that I have listened to it many times since I bought it at the turn of the year, but try as I might there is just not one postive feature about this album........unless you count the end.

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      • More +
        30.09.2003 23:01

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        was looking through some records in the 'other' genre and found aphex twin's (aka Richard D. James ) album "drukqs" on vinyl. Got home, got the headphones on and cracked up the volume. wow. The album is pretty sparse when it comes to proper tunes but when one comes on youll know all about it. The shear speed of the electric instruments and extreme distortion of vocal samples (almost to the point where they could be mistaken as part of the percussion) is great and shows the time and effort put into making these tunes by Richard D. james. The tunes are real headbangers and would probably tear your brain apart if listened to in a state of intoxication. :) The short tracks on the album are mostly piano interludes, pointless really unless you mix them in with a cool break beat or something, but the ambient tracks are really something else. I have never heard a track without any instruments that can really create such an evil dark and creepy mood. They can be up to 6 minutes long and just slowly progress from creepy ambient pads and work on until they are really bassy (almost sub) creating a really dark lurking mood. Great suff. I would really recommend buying this album if you are enjoying aphex twins 'experiments' with electro music up to this point, but as it is reletively similar to his other works you could probably find an album with some more consistency as "drukqs" has some great tunes but is mostly full of piano interludes and some dodgy samples for scratching. but dont miss the ambient stuff as he excels at this "mood creation". Harvey.

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        07.07.2003 06:38
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        • "Headache inducing"

        Here goes, the most epic review you?ve ever seen, of the most odd CD in my collection. It's actually a double CD, containing a total of 30 tracks, and this review aims to cover every single one of them. The album is "drukqs" by none other than intelligent techno artist Richard D. James aka Aphex Twin. So where do we start? Track 1 I suppose.. an awkwardly named "jynweythek", a fitting start to a weird album. The tune is merely a slightly random melody that sounds like it is being played from one of those little music boxes with the rotating dancer in it... this is set to an intermittent beat, and is a bit dull, not the best way to herald a 30 track music fest! Track 2 sounds like a sneeze... "Vordhosbn" is its name, starting with very heavy bass at around 140 BPM getting irregularly faster. Completely filtered hi hats and a metallic ensemble of noises joins. After one minute 15 seconds, this tune is joined by an even heavier bass, with a lovely synth string oscillator going insane through both ears (i'm listening on my headphones as I type this). The spitting beats continue through out, with constantly changing basslines, the tempo fluctuating spontaneously. Far more upbeat than the first track, this tune is actually pretty neat. Track 3, "Kladfvgbung Miosk" err yeah. This is a very sinister sounding tune, strange metallic sounds, like someone randomly hitting pans and the highest keys on a piano, is joined by a big booming bass which is already hurting my head after one minute, any advanced bass on your stereo would be ill advised, unless you were planning to replaster anyway. Merely 2 minutes long this tune.. strange enough to remember though. Track 4, "Omgyjya- switch" sounds like an internet abbreviation for something scary, and well.. the tune is very very scary. Sounds like someone hitting some empty barrels whilst someone whips a whip in a non-human manner again
        st a metal sheet. Subs and weird roaring sounds join in shortly afterwards, and the music boxesque timbre is used once again.. but with the mad sort of beat heard in track 2. THis beat then descends into a set of completely random percussive noises at around 200 or so BPM, which slow down into a nice sounding breakbeat with a sort of.. Eastern Synth sound joining in the fray. Later in the tune the beat dies off to result in a large number of heavily pitchbended oscillators, the beat returns, and these two sections take turns until the entire tune is repeatedly heavy buzz phased into termination. Quite intensely surreal... but good! Track 5: "Stratha Tynhe" oh my, something I can pronounce! This is a strange random, yet melodic piano tune, relaxing to listen to, yet several chord changes set your teeth on edge.. a pleasant tune all the same. Next, track 6: "Gwety Mernans" This consists of a single panning bass sound for 35 seconds, then accompanied by a very slow heavily echoed piano. The sound is quite like that of listening to a child slowly hit keys on a piano whilst in a windtunnel. Ambient to the extreme I'm starting to drift off to sleep as I listen to it.. and at 5 minutes long, for what it is, there is plenty of time to do so. Track 7, "Bbydhyonchord" this track starts like the intro to some motown classic, with rhythmical clapping, and a simple beat. Unfortunately the track progresses nowhere for its 2:30 entirety.. one to miss really. Track 8: "Cock/Ver 10" strange name, strange tune.. filled with confusing pitch bends and heavily sliced beats panning in and out. This is quickly dropped in favour of another sort of synth sustained dulcimer sound, with an equally insane beat. This is then rather rudely interrupted with the line "COME ON YOU CUNT, LETS HAVE SOME APHEX ACID" how nice oO At 4 minutes the tune makes you jump with a quite painful dirty synth cacophony
        with those completely random percussive blasts making your brain want to ooze out of your ears. Strange. Track 9: "Avril 14th", completely different again, this time a TUNEFUL happy piano tune, it sounds like music lifted from a ?aaah family values? sort of sitcom from the mid 70s. It?s quite nice though, it stops rather abruptly though. Track 10: ?Mt Saint Michel + Saint Michaels Mount? this actually samples the bell of the church on said mount to intro the tune, then an unreviewable bunch of ridiculously high speed sounds with a very low bass invade, its like Drum and Bass on even more drugs than usual? it contains some seriously cool sounding skip-beat breakdowns, which sounds quite like techno remixes of some of my industrial metal tunes. The next part of the tune involves 80s computer game sounds with a 220 or so BPM beat shooting along in the background. The buzzy bass on this tune sends shivers down me, it sounds really really good, with the oscillator piano overlaid on top. The extensive use of electro-toms is quite nice too, even at the insane speed they move at. A pretty damn good tune if I may say so, even if it seems to resurrect itself everytime you think its finished, a tactic it uses to ensure a track length of an admirable 8 minutes. Track 11: ?Gwarek2? this track samples the sounds of: Something like someone crying in a lift shaft Someone relieving themselves into a metal urinal The extensive sampling of someone running a stick along railings A whole lot of yelling. The tune gets quite nightmarish, with the railings, and then some bat like sounds? strangely atmospheric, the introduction of an machinery like bass accompanies the railings for over 3 minutes, which gets pretty boring. This tune takes too long at what it does, and fails in doing it anyway? it does not justify the 7 minutes of my life which it took away from me. Track 12: ?Orban Eq Trx 4? this is one of
        those weird tunes you?d expect to see on a sinister flash movie. The bass is really heavy and incredibly funky, I?m actually able to drum my foot to this tune, makes a change! A single skipbeat accompanies the bass, occoasially being sliced? only 1:30 long.. but great all the same. Track 13: ?Aussois? this isn?t a track really, it lasts a mere 7 seconds, and consists of two people speaking a language I can?t quite identify. Track 14: ?Hy A Scullyas Lyf Adhagrow? long names mean just one thing?. Musicbox time again. This tune is incredibly incredibly boring. It just drifts along for 2 minutes, meandering out of any conceivable riff pattern. Track 15: ?Kesson Dalef? This sounds like something Robert Miles would do while drunk, a very scary sounding piano tune, its very good though... but it appears to ooze nothing other but complete EEEEVIL. Good job it lasts only 80 seconds. AND THAT CONCLUDES DISC ONE! Yes folks, we?re only HALFWAY THROUGH. Now take a break for a moment, you?ve been staring at the computer screen for a little too long. And now on we go? Track 16: ?54 Cymru Beats? This is one of those mad beat tunes, with the silly percussion, but instead of synth dulcimers, this time we get someone manically going ?woo!? oh what fun! Of course the synth melody has to kick in sometime, and it does, swapping back and forth with what sounds to be very heavily filtered Welsh. This gives way to some highly scary 404 basslines with straining strings in the background, very nice. Various sampled vowel sounds hammer into your head with the help of a synchroed banging beat, which begins to really really confuse your brain after a while. The music after the four minute mark is causing me to have to stop after this tune for a minute, because I?m getting a headache. 6 minutes of aural pain. Track 17: ?btoum-roumada? wow, what a surprise my spell check has underlined that one too? this one is a very strange
        tune, its played on another organ like instrument, and sounds to be a heavily variated Auld Lang Syne. It?s quite pleasant after the previous tune at any rate, it drags on though, at 3 minutes long it doesn?t sound long, but trust me? it feels it. Track 18 ?lornaderek? the title I?m assuming comes from a merger of Richard?s two parents... given that this track is merely a 28th birthday answer-phone message sent through a slight bubble filter. This track is worth listening to, merely for the funny Cornish accents and the parental harmonics oO Track 19: ?2kThr? This tune is very very odd. It sounds to be some form of air-powered organ, with a strange springing sound like someone moving their feet on some pedals of some sort. Its quite a sad sounding tune, and only lasts 80 seconds. Track 20: ?Meltphacc 6? This begins in a very ambient fashion, with a quiet 404 bass slowly getting louder to join a progressive beat, which then turns quickly to a funky drum and bass style beat. The pads could use to be playing a slightly more harmonious tune, but who is complaining? Its good stuff. Although continued listen starts to bore you rigid, it doesn?t really progress too far away from the normal without straying back again in the next section. Six and a half minutes is a little too lengthy for what it is. Track 21: ?bit 4? bit being the keyword, this track consists of two heavily panning filtered synth bass notes, and nothing else. 20 seconds long, and 4 of those are silence! Track 22: ?prep gwarlek 3b? I like this tune, sounds reminiscent of when you sit in a room and all you can hear are two taps dripping and the clock ticking, and you make little tunes out of the sound. This is accompanied by a simple bassy piano riff throughout? only 75 seconds long though. Track 23: ?.father? This track is well, how can I put it? Truly awful. It consists of nothing but chords and single notes pressed at random, yet ensuring they do not
        go together, for a mere 55 seconds. Track 24: ?taking control? This track is great, and I believe it has been released at some point. Continuous use of ?I?m taking control of the drum machine? filtered in more ways that would be deemed possible is an intriguing part to this tune. The difference with this track is that, whilst mad... it succeeds in maintaining a distinguishable rhythm. It has a lovely set of beats, with proper bassy kicks and hissy sounding snares. The tune is run through many different phazers and filters throughout the duration, and it has a great effect. Around the 3 minute mark it hits completely insane surrealism, with samples of what appears to be Richard?s mother shouting her kids, and talking about various fruity beverages. Sampled in such a way as to scare the living crap out of me.. ?YA WANT A DRINK? OooOOHH a blackcurrant drink?! MUUUUuuuUUM!? later followed by ?Lorna?! Derek?! RICCHHAAAARD! Saraaah? repeatedly filtered until you want to go and hide somewhere safe. ?Decent bit? heralds a part which is in fact, quite decent.. a ridiculously quick snare sample madness, running at around 220 to 240 BPM, enough to make your ears bleed... yay! Definitely one of the best tracks on the album, it may last 7 minutes, 10 seconds? but it?s worth it. Track 25: ?petiatil cx htdui? Another piano based tune, it?s alright I suppose, but it doesn?t really interest me. 2 minutes seems to last forever. Track 26: ?ruglen holon?. Yup, yet ANOTHER Musicbox tune, and its crap. 1:50 seconds I wont waste again. Harsh I know, but to the point, it?s a review, I?m meant to be critical. Track 27: ?afx237 v.7? The first minute seems to pass by in no time, and sends your head into some form of feared frenzy, not a single part of the tune is consistant for more than 10 seconds. It then appears to decide on a way forward after then, changing less frequently, but it is by no means static, the tune jumps from one tune to another erratic
        ally and without warning, typical Aphex. It?s a pretty neat ?tune? and I say tune in the loosest sense possible. Track 28: ?ziggomatic 17? I really like the title of this track, it conjures images of some intriguing robot designed to do all your household chores, whilst dancing in a mysterious fashion. I invite you to dance in a mysterious fashion to this, for it is the only it is possible. This would make curious breakdancing music, the 404 bass is used once again, and the tune slowly descends into complete chaos. YAY! Nearing the two minute mark it gets very ambient all of a sudden, and it feels like part of your brain has just fallen out of your nose, you just stop and think ?what the hell just happened?? It?s a seriously cool tune around the 4/5 minute mark, harmonics are used endlessly with a number of pleasing electronic sounds with a complex yet quite flat beat in the background. It has a damn good chord progression too? yes, an Aphex tune with enough repetition to allow something recognisable as a chord progression, this is a rarity. It gets really really nice and ambient near the end, dreamy and sleep?..inducing?.. *zonk* I wake up and the song continues, at 8:30 minutes in length, its no wonder a vocoder at the end says ?thank you for your attention, bye!? Well, I can claim to have had an attention span for the first 7 minutes of it anyway?. Track 29: ?beskhu3epnm? the crappiest song title I?ve ever seen? and once again, it?s a music box tune?. GAH. Although it has to be said this tune ends up sounding almost identical to ?prep gwarlek 3b?, until a proper piano section starts up.. nearly 2 minutes long, it just gets boring very very quickly though. Track 30: ?nana 2? THE FINAL TRACK! Richard rounds the album off with a little slow piano ditty, its really quite nice and easy on the ears, for once he is aiming NOT to be discordant, and it?s a pleasant way to round off the album. So there we go, my word count reads 2,390? o
        uch. So a summary of the album? Well? Its on the whole completely ridiculous, and nothing whatsoever like anything else in your collection, unless you own another one of his albums. The variation across the album really is quite astonishing, from slow piano tunes like the final track, to completely insane synth madness. I enjoyed listening to the album as I wrote this, and it kept me interested enough to write a review of such ridiculous length, so that must mean something. I would definitely recommend this to anyone who wishes to have something a lil odd for the collection, and the name Aphex Twin gives you underground geek appeal, speak to anybody in a music shop near you, and you?ll probably be deirected towards some true gems of alternative music. A great album, with some crap now and again, but ehh.. nothing is perfect. 4/5.

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          26.02.2002 02:27
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          • "at two CD's it's a little long"

          It is important to be aware that Aphex Twin's work is not accessible, nor is it designed to be. In order to fully appreciate any of Richard James' work there is a fair amount of listener participation required. This album is not easy listening and is quite certainly not melodic in the traditional sense. It is, on the other hand, a fine example of the undeniable genius of a man who is master of all the 'machines' at his command. Also known as AFX, Caustic Window, Polygon Window, Pritchard D Jams and Bradley Strider, James was one of the founders of the ultra-cool Rephlex label. His work has always been intricate and detailed - an obvious labour of love. In the field of electronica James sets the standards for others to follow. Druqs is an album that encompasses elements of previous aliases whilst simultaneously striving ever forward. Of particular note on this album is the classical piece, 'Avril 14th', a touching and melodic retort to those who would question the artist's ability as a composer. Be warned though, despite a very capable grasp of his art, the twin makes no effort to charm the listener and by his own admittance makes his music primarily for himself. In summary, twisted, fractured, tinny, noisy,inspired, wonderful.

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            30.10.2001 04:54
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            Are you bored of the tripe that clogs up our radio stations? Tired of crappy dance acts like Ian Van Dahl and So Solid Crew? Disillusioned by music altogether? Then the chances are you are growing up. Which can only be a bad thing. First comes growing up, then comes growing old, and then there you are dying your hair a lovely shade of blue, and sitting on a park bench complaining about the hooligans that hang around on the high street, loitering. It wasn't like that in your day, was it? But this isn't what you're here for. If you're like me, you have become tired with the type of music you hear on stations like Radio 1, and you're looking for something better to listen to. So you stumble across Aphex Twin. OK, lots of people have heard the single 'Windowlicker' and it was oh so close to being a major hit a couple of years ago. Quite a few people have also heard 'Come to Daddy', one of the most sonically terrifying pieces of music ever created, yet despite its abrasive, chain saw-wielding exterior, it was quite commercial compared to some of his earlier work. But he hasn't actually released a proper album since 1996's 'Richard D James Album', and there have been numerous rumours over the years that the Twin was never going to release another album. So what are we to make of 'Drukqs'? If we're to believe the Twin, he was never going to release an album this year, but for the fact that he lost one of his MP3 players which contained around 140 unreleased Aphex Twin tracks. Fearing that all of his songs would be made available on the Internet, he decided to release thirty of them on a double album that stretches over the 100 minute mark. So this is 'Drukqs' - an afterthought, so to speak. But I bought it anyway. Oh yeah, and if you're thinking of buying it, stay away from Virgin or HMV, who will try and charge you 15 squid for it. Woolworths aren't stocki
            ng it (not crappy enough to be sold by them, evidently) so you're going to have to go somewhere like WH Smith to get it for a decent price. But then, I wouldn't have bought it at all if it wasn't for the fact that I have neither the time nor the patience to download thirty tracks from KaZaA using my laaaaaame 56k modem. But this album is no ordinary album. This is the mother of all headf^cks - nothing does what it's expected to do. Beats jump around all over the place, bass lines and melodies (and I use that in the loosest possible way) are distorted, cut off, stuck on again in completely inappropriate places, and generally mangled, and sod conventional vocal samples. Let's have samples from people who frankly deserve to be locked away from the outside world instead. And then suddenly you get beautiful, moving piano-led tracks that seem so emotional and heartfelt you simply want to cry. And then you think, what the bloody hell is going on here. Does this really come after a track during which there is the vocal sample, "Come on you c**t, let's have some Aphex acid,"? No, this is not your conventional music review. But this is not a conventional album. I'm not going to do a track by track rundown for several reasons. One - there are thirty of them, and I'll simply bore myself going through them all. Two - I can't be bothered to try to spell the names of the tracks. Three - describing them would be like trying to describe the colour green to a blind person. Four - see two. Yes, with track titles like 'Kladfvbung Micshk', 'Petiatil Cx Htdui', and 'Orban Eq Trx 4', not even the names of the tracks are conventional, or indeed, sane. Try telling someone the name of your favourite track from this album without coughing up a gallon of flem! Indeed, how exactly do you pronounce the name of this album. Do you simply read it as drugs, or are we supposed to pronounce it drukuks? But then, we
            are talking about a man who offered Madonna the opportunity to snort like a pig on one of his tracks. Madonna, of course, was doing her cool act - look at me, I'm really cool! I'm working with all these great producers even though I'm well into my 40s. And so she phoned Aphex Twin and told him that the simply HAD to work together, y'know, because I'm SU-UCH a fan of your music! Richard thought about it, then got back in touch and told her that the only way he could work with her is if she could squeal like a pig on record. And what makes the story even more funny is that she almost went ahead and did it! I would have paid money to hear the results of that track. Sorry, I'm going off on a bit of a tangent here. Back to the album. 'Drukqs' is an intensely diverse album, and the chances are that you are not going to like all of the tracks. 'Lornaderek', for example, is his parents singing Happy Birthday on an answering machine. 'Bit 4' is 20 seconds long, and consists of a single techno groan. And 'Gwarek 2' - well, the Twin must have really been pissing himself with laughter putting this on the album. Listen to it, because it defies description. My favourite tracks, being a dance/electronic music fan, were definitely the drum and bass based tracks. If you thought Roni Size went a bit mental with the beats, then you really need to listen to this album. Beats pop up where, by all rights, they shouldn't, get mangled up in the Aphex machine, and get spat out at you like machine gun fire. But what makes these tracks so special is the fact that the bass line, rather than being a separate entity to the percussion, is completely intertwined with the overall rhythm, to such an extent that it is impossible to distinguish between the two elements. Put simply, this is the greatest, most exciting drum and bass I have ever heard, and it puts Roni Size to shame. I couldn't name a favourite - they area
            ll incredible in different ways. A word of warning, though - the tracks have a tendency to sound quite similar at first, making for less than interesting listening after a while. But persevere, the tracks are growers, and if you like drum and bass (or any type of dance music, for that matter) then you will not be disappointed. Granted, the Twin's music can slip into the unlistenable at times. Some of the synths are very abrasive, and a few sound like they were put in there just to cause you suffering. I'm not joking, it really is napalm for the eardrums. Listen to the end of the first track of the second CD if you want to hear the best example of this. And it's at these points that you see the Twin's horrible distorted image in the window, laughing at your pain. He's a sadist. And then there are the aforementioned piano tracks, which, for all their beauty and emotion, only add to the insane nature of the album. Some are better than others, but after a while, you do begin expecting them. This is the only element of this album that comes close to predictable, and they are (in my opinion, anyway) not as good as his drum and bass tracks. However, on the whole, they are thankfully short. Other tracks of interest include: 'Ruglen Holon' - which sounds like one of those tinkly music boxes, and 'Gwely Mernans' - which is one of the eeriest, and best, tracks on the album. A deep, penetrating rumble dominates the track, swirling around the speakers, over which only a faint piano line features. Despite the rather schizophrenic nature of the album, 'Drukqs' manages to retain, on the whole, a quite dark, sinister feel. Its very limited accessibility may have something to do with this - I still feel that some parts of the album are meant as a cruel joke by the Twin, and are simply not meant to be understood. Yet people will still try to decipher their hidden meanings, and search for hidden mes
            sages. Who knows - maybe if you play the CD backwards there is a hidden Satanic message, or a prophecy of the end of the world. Why not, the album seems to have everything else. But apart from that, I cannot see how tracks like 'Bit 4' can convey any meaning whatsoever, and I don't know what the hell 'Gwarek 2' is meant to be. With so many drum and bass tracks though, I couldn't help but yearn for a nice 4/4 beat towards the end, and Richard kindly offers one on 'Ziggomatic 17'. For 15 seconds. Ah well, maybe that's the anal retentiveness in me... Better known for its sheep shagging than its innovative electronic music, Cornwall has produced one of the cleverest musicians in recent times in Aphex Twin. Some call him a modern-day Mozart - nah. He's far more exciting than that. He will never break through to the mainstream, and that's probably a good thing too. But why only the four stars? Well, too much pisstaking I'm afraid. P.S. Thank you Dooyoo for finally creating this category. Even if I did have to get Keith on to you fools.

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          • Product Details

            Disc #1 Tracklisting
            1 Jynweythek
            2 Vordhosbn
            3 Kladfvgbungmicshk
            4 Omgyja Switch
            5 Strothatynhe
            6 Gwety Mernans
            7 Bbydhyonchord
            8 Cock/Ver 10
            9 Avril 14th
            10 Mt Saint Michel + Saint Michael's Mount
            11 Gwarek 2
            12 Orban Eq Trax 4
            13 Aussois
            14 Hy A Scullyas Lyf Adhagrow
            15 Kesson Dalet
            16 54 Cymru Beats
            17 Btoum Roumada
            18 Lornaderek
            19 Qkthr
            20 Meltplace 6
            21 Bit 4
            22 Prep Gwarlek 36
            23 Fathur
            24 Taking Control
            25 Petiatil Cx Htdui
            26 Ruglen Holon
            27 AFX237VI
            28 Ziggomatic 17
            29 Beskhu3epnm
            30 Nanou 2

            Disc #2 Tracklisting
            1 54 Cymru Beats
            2 Btoum Roumada
            3 Lornaderek
            4 Qkthr
            5 Meltplace 6
            6 Bit 4
            7 Prep Gwarlek 36
            8 Fathur
            9 Taking Control
            10 Petiatil Cx Htdui
            11 Ruglen Holon
            12 AFX237VI
            13 Ziggomatic 17
            14 Beskhu3epnm
            15 Nanou 2