Dragonland's second album is a slight improvement over their first, but still owes its entire sound (outside of the excellent keyboard work of Elias Holmlid) to the established power metal tradition. Holmlid's classical arrangements are integrated more fluidly into the music, most evident in the piano and violin of slower songs such as 'Calm Before the Storm,' and his intro and outro tracks are once again much more substantial and engaging than the usual power metal intro tracks, which are usually ones to skip. The music still follows the standard power metal chug when running at full-pelt, which is a little disappointing but admittedly reliable, and Jonas ...  Read the complete review