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 Leaving Eden - Antimatter
Description: Genre: Hard Rock & Metal - Industrial / Artist: Antimatter / Audio CD released 2007-07-23 at Prophecy / Disc #1 ... more  Leaving Eden - Antimatter ... Tracklisting1 Redemption 2 Another Face in a Window 3 Ghosts 4 Freak Show 5 Landlocked 6 Conspire 7 Leaving Eden 8 Immaculate Misconception 9 Fighting for a Lost Cause Newest Review: ... span, and it seems to be this commercial consciousness that prevents the album from really succeeding in all but a few ... more ... songs.
This is only an album you could listen to as mood music or something to relax to, particularly as songs tend to start sounding the same after the first couple of tracks. Opener 'Redemption' sets up the style perfectly, led by Moss' dominant crooning and slowly and softly plucking acoustic before Cavanagh turns it into a generic eighties Pink Floyd song with his blaring solo, and the second song takes a slightly different approach by substituting the acoustic guitar for - wait for it - a piano. Although it's a bit...more |
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Antimatter - Leaving Eden Price Comparison
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Prophecy, July 16, 2007, UPC: 4039053708829
Leaving Eden |
£ 10.99 |
Postage & Packaging:
£ 1.46 Availability: refer to shop website |
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Leaving Eden - Antimatter: With Wandering Steps and Slow (474 words)
by Frankingsteins - written on 24.01.08 (Very useful, 14 readings)
Rating:
Antimatter is partly an Anathema side project, occasionally featuring Danny Cavanagh and Duncan Patterson themselves, but on 'Leaving Eden' it's more along the lines of a solo project for Mick Moss. Moss provides all the vocals, electric piano and the rhythm electric and acoustic guitars in most songs, supplemented by Cavanagh's slowly screeching David Gilmour-style solos towards the end. The overall direction is minimalist progressive atmospheric rock similar to Anathema, but occasionally taken even further. At the same time, Moss' bluesy singing keeps the whole thing accessible enough even to a mainstream audience, provided they have a significant attention span, and ...
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