Lucidity - Delain Reviews

Lucidity - Delain Music Album

Newest Review: ... with the symphonic nature of the rest of the song, but that aside, this is still a good track. Track four is called No ... more

 ... Compliance and once again features vocals by Marco Hietela and also by Sharon Den Adel. I'm not certain I can actually pick out Delain's vocalist Charlotte Wessel's voice in this song. It has a very Within Temptation vibe to it. I like it, but I don't think it's the best song on the album. The orchestral part of this song is very nice though. See Me In Shadow is the fifth song on the album and features vocals by Liv Kristine. It begins as quite a delicate song, with a piano (keyboard) overlaid by female vocals which ...more

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Delain Lucidity
Last Update 17.06.2013 04:06

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Lucidity Delain
CD Incl. Bonus Track & The Making Of Lucidity
Last Update 17.06.2013 03:35

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Lucidity - Delain Opinions

Customer Lucidity - Delain Reviews (2)

captainraz
Lucidity - Delain: Good debut from Dutch Symphonic Metallers (919 words)
by - written on 03/08/09 (Very useful, 19 readings)
Rating:

Delain are a Dutch symphonic metal band founded in 2002 by ex-Within Temptation keyboardist Martijn Westerholt. Lucidity is their debut album and has many guest artists including Marco Hietala (Nightwish), Liv Kristine (Leaves' Eyes) and Sharon Den Adel (Within Temptation). The album opens with the song 'Sever', which is a brooding, atmospheric example of symphonic metal. The lyrics and vocals are almost haunting at first before the introduction of Marco Hietala's voice. Overall this song is a strong start to a good album. I particularly like the almost monk-like chanting that appears to be the bridge and outro for this song. The second song on ...  Read the complete review

Frankingsteins
Lucidity (204 words)
by - written on 22/06/08 (Useful, 23 readings)
Rating:

As far as symphonic gothic metal bands go, Delain are among the most enjoyable, though still a little inescapably dull. Formed by ex-Within Temptation keyboardist Martijn Westerholt who dominates the soundscape alongside by the pleasant vocals of Charlotte Wessels, this is a heavily symphonic band that thankfully avoids the operatic clichés of groups such as Nightwish, relying on something more atmospheric and frankly, less cheesy. All of the songs are performed at a relatively slow tempo and exude eloquence in their synthesised orchestral bombast, with only a couple of deviations from the standard formula. Opener 'Sever' is more orchestral, 'See Me in Shadow' ...  Read the complete review

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