So Sweet, so sweet yeah!! (Nuyorican Soul - Nuyorican Soul)

Member Name: mrfunkyman

Product:	Nuyorican Soul - Nuyorican Soul
Date:	01/03/01 (420 review reads)
Rating:

Advantages: Great funky Latin Rhythms

Disadvantages: None at all

Kenny “Dope” Gonzales and "Little" Louie Vega. Better known as Masters at Work, were already prominent DJs in the early 80s, well before they became NuYorican Soul. NuYorican Soul was released in 1997

Kenny Dope and Louie Vega and from New Yorker of Puerto Rican heritage and grew up with Latin rhythms, mambo, and salsa around them. Later, they were influenced by the Chicago house style, NY hip-hop, and the evolving Latin freestyle. They have remixed and played out live under various guises such as Master at Work, NuYorican Soul, Vega or Gonzalez, KenLou, the Bucketheads, and the Untouchables.

This album is one of the best I own, I bought it on a whim, after hearing a couple of tracks on a basketball programme on Channel 4 and then recognised some tracks I heard in a club. Its pretty simple album to listen to in terms or style and sounds, it’s a jazzy house album essentially, with a big lean towards a Latin sound, NuYorican Soul is an album unlike most, in that, in my opinion, it caters for every taste. It caters for those who like House and club music, it caters for people who like big instrumental music and likewise those who prefer some vocals and lyrics. NuYorican Soul can be played out loud for parties and for clubs alike, whilst still being delicate enough to play in the background while your chilling.

Since the first release of "The Nervous Track", Masters At Work's NuYorican Soul project has been one of the most highly acclaimed and ground-breaking acts in the dance community, breaking out from being held in just the house category, and crossing over into several different musical genres - meanwhile blurring the lines between the styles and combining them with ease and style. Talkin' Loud label manager Gilles Peterson had hooked up with Masters At Work and an album deal had been arranged and was being worked on. The single, You Can Do It (Baby), had George Benson scatting, working his g
uitarist skills and laying down smooth vocals over nearly 16 minutes of pure funk jazz, (provided by Kenny Dope). The fourth single, Runaway, a cover of the Lolita Holloway classic, features the unique vocals of Louie Vega's ex-wife India, along with guitarist Ronnie James and strings by Vincent Montana Jr.. Runaway was the first single to receive reconstructions by outside remixers: Armand Van Helden provided a 11-plus minute funky hard house remix that often crosses the border into some disco-vibes, while Mousse T gave in a soulful house remix.

Just when you think the guest list on the first four singles can't be surpassed, the album proves you wrong, hosting even more legendary stars: Tito Puente, Eddie Palmieri, Roy Ayers, Dave Valentin, wheels-of-steel master Jazzy Jeff, and vocalists such as Paulette McWilliams, Jocelyn Brown, and Lisa Fisher. Needless to say, the album is nothing short of legendary...

Summary: