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Slayer Shows No Mercy
Show No Mercy - Slayer
Member Name: Jarisleif
Show No Mercy - Slayer
Advantages: Early thrash metal
Disadvantages: Not brilliant production
"Show No Mercy" is the debut studio album by American thrash metal band, Slayer. It was released in 1983 on Metal Blade Records and produced by Brian Slagel. The line-up for the album was Tom Araya (vocals/bass), Jeff Hanneman (guitar), Kerry King (guitar) and Dave Lombardo (drums).
So here it is, the very first Slayer album - one of the pioneering thrash metal albums that people sat up and took note. Some wondered what the hell it was, others warmed to it like a breath of fresh air. Slayer was formed in Huntington Park, California in 1981 by Oakland native Jeff Hanneman and Los Angeles born Kerry King. The two guitarists then recruited Chilean Tom Araya on bass and vocals who was a respiratory therapist at the time, and drummer Dave Lombardo, a pizza delivery guy. The rest is history, and two years later, "Show No Mercy" was unleashed to the public.
The album kicks off with "Evil Has No Boundaries", which instantly melts your face off with Araya's high pitched scream and heavy guitars like nobody had ever heard before that have killer riffs, hooks and solos. What you also get on this song is backing vocals on the chorus - something which I don't remember ever hearing on any other Slayer song, and it's legendary heavy metal drummer Gene Hoglan who had a hand in providing them. Lombardo's staple thrash drumming is a joy to hear, too, and his use of the double bass pedals in the bridge is quite impressive. It's a song to let us know that Slayer is here, straight out of hell and ready to kill us with their insane blend of thrash metal music.
"The Antichrist" has always been a live favourite and has one of the most recognisable Slayer riffs of all their songs that is fully backed up by some insane solos from King and Hanneman in the bridge. The song comes to a climax with crushing guitar strums, matched by Lombardo's snares. It's a song about a fallen angel who turns to the devil to set his soul free, returning to wreak havoc on the people of earth.
"Die by the Sword" dishes out more of the same evil thrash metal with a song that has some tricky hooks that follow on from some meaty riffs. It's probably a continuation of the previous song and it's sending out a message that Satan's minions are here on earth willing to slay and you will die by the sword. This is one of my favourite songs on the album and I love the opening to the bridge with both guitars strumming up and down that sounds like the heaviest thing I've ever heard. Once again, the solos on this song are absolutely blistering.
"Fight Till Death" carries on with the brutal pace of the album with some interesting riffs from King and Hanneman which bring forth a true thrash metal song, the likes of which hadn't properly been heard back in those days. It's a song about being involved in a war and while the commanders are safely tucked away in bunkers behind sand bags, it's the frontline that faces the brunt of the incoming assault. It also has a hidden and much darker meaning, in that the troops of doom in the pits of hell are coming to earth and the only way is to fight until your impending death.
"Metal Storm / Face the Slayer" is a two-part song which begins with "Metal Storm", a short instrumental intro with some fast fret board finger movement on the guitars before the drum beat signals the start of "Face the Slayer", a song about a minotaur which is depicted on the front cover of the album. It is part man, part bull and forced people into its cave where they were sacrificed to the devil.
"Black Magic" begins with a fade-up before launching into one of the most evil sounding thrash metal riffs of all time. It's a classic Slayer song which is played live many times and I get the feeling it was recorded completely live in the studio. Tom Araya was just starting to find his feet as far as his vocal capabilities go and he stuck with a sort of enclosed room sound on the follow-up album, "Hell Awaits". For me, this is Slayer at their best and I sometimes wish the band would go back to recording like this.
"Tormentor" begins with an excellent riff that isn't too fast but sort of warns you of what's to come before Slayer launches into a faster tempo pre-verse. The chorus is the best part of the song as the victim is being chased by the tormentor. In this case, I'm thinking it could be closely related to Michael Myers off of the "Halloween" movie franchise and he catches his prey at the end of the song. There are more incredible solos in the bridge of the song that shows how good King and Hanneman were, even back then when they were both starting out.
"The Final Command" is a song about the very effective German Blitzkrieg (lightning war) of World War II, in which the Nazi forces would storm enemy lines with speed then attack its flanks, causing mass confusion and panic amongst allied troops. It's the fastest song on the album as far as time goes which starts off at a mid-paced tempo before going at full throttle. It's cleverly designed to coincide with the lyrics and what happens during a Blitzkrieg campaign, driving forward then spreading out.
"Crionics" is a song in which Tom Araya uses a little vocal harmony but it's the same old Slayer with punishing guitar riffs that gallop along at a decent pace and brutal drumming, with Lombardo using his kit to full advantage. It's hard to think that he was still in school when they recorded this song! The customary King/Hanneman guitar solos come near the end that cannot fail to impress once again.
The album ends with the title track, "Show No Mercy" and what you get from the start is a magnificent but quick drum solo from Lombardo. The song is what thrash metal is all about from beginning to end and is one of my favourites. It's about an army of darkness that is doing Satan's work on earth, bringing lives to an end with slaughterous venom and merciless brutality, which, in essence, is Slayer's music down to a tee.
In summary, what you have here is one of the most influential thrash metal albums of all time. It might not be as good as the band's 3rd studio album "Reign in Blood" or Metallica's "Master of Puppets" but it made people look at the band and think "Yeah, I'd like to do that." Slayer has influenced many thrash bands over the years and this is one album I keep coming back to now and then to re-live the golden days of the genre.
1. Evil Has No Boundaries
2. The Antichrist
3. Die by the Sword
4. Fight Till Death
5. Metal Storm / Face the Slayer
6. Black Magic
8. The Final Command
10. Show No Mercy
My rating: 8/10
Summary: Hugely influential album.