Newest Review: ... around. In response to the supposed over-commercialism of ‘Stories from the City, Stories from the Sea’, this latest effort is much more st... more
Not her best, but very very good
Uh Hur Her - P.J. Harvey
Member Name: number63
Uh Hur Her - P.J. Harvey
Date: 07/10/04, updated on 07/12/04 (81 review reads)
Advantages: Some great sounds, some magnificent tracks
Disadvantages: Nothing you'd come away from whistling
As an obsessive fan of PJ Harvey, a new album is always a source of much joy for me, but I often find that they are growers – I’m seldom very sure on the first listen, but with time, I come to love them. This has happened with most of her albums, the two exceptions being ‘Rid of Me’ and ‘Is this Desire?’, neither of which I have ever been able to love wholeheartedly.
After the powerhouse that was her last album, ‘Uh Huh Her’ felt a little bit anticlimactic first time around. In response to the supposed over-commercialism of ‘Stories from the City, Stories from the Sea’, this latest effort is much more stripped back – not necessarily more quiet (songs like ‘Who the F**k’ continue PJ’s love affair with loud, crunchy guitar), but maybe less polished, less attentive to each track as a unit. It’s hard to describe, but you have to approach the album as a whole rather than the individual songs. I say this in full knowledge that there have been three singles from this album, but I think two of those (‘Shame’ and ‘You Come Through’) strengthen my point – they’re more nuggets of songs than tracks in themselves. In any case, PJ singles are all about the B-sides.
The question I usually ask myself about albums by artists I love, is whether I would give this album to someone as an introduction – I wouldn’t give them any of Nick Cave’s last five albums, although there’s plenty of things I like about them. I’ve always enjoyed PJ Harvey’s versatility, her ability to surprise me with an unpredictable twist that makes each of her album’s unique. I think this album is remarkable for how unpolished it looks, compared to more recent efforts. While sometimes it’s a bit frustrating that good sounds seem to lead nowhere (like in ‘You Come Through’), this is also one of the album’s endearing qualities. Nothing is stretched beyond its limits here, and nearly every track is a good one, whatever its length (still don’t like “Who the F**k, although it was great live).
Would I recommend this to a newcomer? Probably, but I’d recommend others more quickly. Not her finest album, but great in places, and always interesting. At the very least, she will never bore you.