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 Close Encounters Of The Third Kind - John Williams - Soundtrack Music Album
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Close Encounters Of The Third Kind - John Williams - Soundtrack

 

Description: Genre: Soundtrack / Artist: John Williams / Soundtrack / Audio CD released 1999-10-01 at Soundtrack Masters / Disc #1 ... more
Close Encounters Of The Third Kind - John Williams - Soundtrack ... Tracklisting
1 Opening
2 Let There Be Light
3 Navy Planes
4 Lost Squadron
5 Roy's First Encounter
6 Encounter At Crescendo Summit
7 Chasing UFO's
8 False Alarm
9 Barry's Kidnapping
10 Cover Up
11 Stars And Trucks
12 Forming The Mountain
13 TV Reveals
14 Roy And Gillian On The Road
15 Mountain
16 Who Are The People
17 Escape
18 Trucking
19 Climbing The Mountain
20 Outstretch Hands
21 Lightshow
22 Barnstorming
23 Mothership
24 Returnees
25 Visitors/Bye/End Titles

Newest Review: ... place on Earth instead of the black and white galaxy far, far away, the music likewise is less in-your-face accessible, ... more

 ... accentuating the frightened reality of the unknown brought right to our own backyard. As such, the music is in a continuous developmental flux that doesn’t particularly rely on the Wagnerian leitmotif device of the previous score and rather moves in one, big, giant arc to its ultimately grandiose finale. So with that in mind, should you be a big fan of the Williams of the epic themes who never strays from the paths of tonality and 19th century romanticism, then Close Encounters may very well be something you will not enjoy...more

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berlioz+II
Crowned Review Close Encounters Of The Third Kind - John Williams - Soundtrack: WGA, pt.3: Let There Be Light! (1947 words)
by berlioz II - written on 10/11/06 (Very useful, 725 readings)
Rating:

*Dedicated to the Memory of Basil Poledouris (1945–2006), one of the all time great film composers who have ever lived. “May the lights lead to the path of eternity.” ---------------------- Hello again. I am back with my on going survey into the scores of John Williams’ Golden Age. First of all thank you for the warm reception of the previous two installments, and the accompanying encouragements. They mean a lot. 1977 was the year of sci-fi, and in that genre Williams was at the front in going all out with traditionality instead of the poppy cheese that might have been expected, helping in turning B-movies into A-listers. Few composers have ...

 

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