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1 Opening 2 Let There Be Light 3 Navy Planes 4 Lost Squadron 5 Roy's First Encounter 6 Encounter At Crescendo Summit 7 Chasing UFO's 8 False Alarm 9 Barry's Kidnapping 10 Cover Up 11 Stars And Trucks 12 Forming The Mountain 13 TV Reveals 14 Roy And Gillian On The Road 15 Mountain 16 Who Are The People 17 Escape 18 Trucking 19 Climbing The Mountain 20 Outstretch Hands 21 Lightshow 22 Barnstorming 23 Mothership 24 Returnees 25 Visitors/Bye/End Titles Newest Review: ... dating all the way back to 1977, and the recently released extended CD, which has much more than the original vinyl. I am no ... more |
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Price Comparison for Close Encounters Of The Third Kind - John Wil...
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Williams: Close Encounters of the Third KindOriginal Soundtrack [ ...
With its vast, star - filled skies and pervading sense of imminen ... Last Update 26.11.2009 05:50
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£ 29.99 |
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Read Reviews for Close Encounters Of The Third ...
by - written on 09/05/09 (Very useful, 39 readings)
Rating:
I don't normally listen to film soundtracks - in fact I rarely take notice of them, and in some respects this means the composer has done his job. Would I be too bold in saying that your average person who enjoys a film, but is not a film buff or cinema goer, doesn't take too much notice of the soundtrack, but enjoys it passively as part of the overall film? Very few film soundtracks stand out in my mind. Star Wars does. A Clockwork Orange does, and Close Encounters of the Third Kind's soundtrack definitely does. This might have something to do with the fact that I have seen these films a number of times. I have had the opportunity of ... Read the complete review
by - written on 10/11/06 (Very useful, 916 readings)
Rating:
*Dedicated to the Memory of Basil Poledouris (1945–2006), one of the all time great film composers who have ever lived. “May the lights lead to the path of eternity.” ---------------------- Hello again. I am back with my on going survey into the scores of John Williams’ Golden Age. First of all thank you for the warm reception of the previous two installments, and the accompanying encouragements. They mean a lot. 1977 was the year of sci-fi, and in that genre Williams was at the front in going all out with traditionality instead of the poppy cheese that might have been expected, helping in turning B-movies into A-listers. Few composers have ... Read the complete review
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