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I have a slightly weird fascination with reading about 9/11. I think it stems from my interest in true crime and tragic life stories. It sound completely morbid and most people I know think it is bizarre. It isn't some voyeuristic fascination though, I like to read about the adverse situations people are placed in and the effect it has on them. I like to imagine what I would do if I was faced with the same situation and how I would respond in the face of terror. Anyway, it is because of my interest in reading about 9/11 that I came across this book. It is interesting to know that very few fictional accounts have been written about what is considered one of the worst terrorist attacks ever. I have pretty much read anything out there, fiction and non-fiction, and then one day I came across this novel. The premise for the book was one that deeply interested me and I immediately went online to buy a copy. The book is narrated by nine year old Oskar Schell. Oskar's father, Thomas, died in the World Trade Center on September 11, 2001. The story begins after Thomas' death and with Oskar looking in his father's wardrobe. In a vase Oskar finds an envelope with the word 'Black' written on it, which he assumes is a name, and inside is a key. Oskar decides to solve this last mystery of his father's existence and decides to track down every person with the surname Black in New York City in order to ask them about the key and whether they knew his father. Alongside the main story of Oskar's plight to discover the purpose of the key runs another narrative. Eventually the two unite towards the end of the book, though it is unclear in the beginning the relevance this sub-plot has in Oskar's story. This part of the story is written through a series of letters, which turn out to be correspondence between Oskar's grandmother and his estranged grandfather. As Oskar's journey takes place he meet many wonderful people. He documents each step by taking their photo and writing about them in his journal. As the story progresses more and more becomes clear about 'the worst day' and how it has effected Oskar's life. On the morning of September 11th Oskar was released from school and returned home to hear several panicked messages left by his trapped father. As the book progresses the contents of the messages are slowly revealed to the reader and the ultimate fate of Oskar's father clear to all. The ending of the book is at once profound and utterly hopeful in its message. I won't spoil the ending for you but it is never quite what you expect it to be. This is one of the aspects that I love most about this book, it constantly keeps you guessing as to where Oskar's journey will take you and what the ultimate ending might be. The story is punctuated by black, white and colour images that represents parts of Oskar's journey. One of the many recurring images is that of a man falling from the top floors of the World Trade Center. Oskar scoured the internet and studied picture after picture looking for his father and desperately trying to make sense of his death. Ultimately it is a death that no one can make sense of, no one can explain to Oskar why a group of men flew a plane into a building and killed his father. It is something that in reality cannot be explained away simply by religious conviction or political motivation. Oskar is bereft without his father and no amount of reasoning can ever reasonably account for his absence in his sons life. I have no idea how to convey to you quite how exquisite this book is. The writing is like nothing I have ever opened myself up to before and the pairing of images and words is unique and exciting. Jonathan Safran Foer totally changes the way in which you view a novel, and bends and ultimately breaks the rules that dictate what an author can do with it. The result is perfect. I don't think I've ever said that about a book before, but it is simply perfect in every way. You will cry and you will laugh and it will totally change the way you think about this human tragedy. I actually ended up buying a copy on Amazon which I don't usually do, as I prefer to support my local book shop. I did, however, find a 'collectible' copy on there for the same prize as a new copy so I ordered it straight away. I was delighted when it arrived and realised it was a signed copy which is one of only 1000 in existence. This is a book I love and will keep forever so I was delighted to have such a special copy. I cannot say enough good things about this book. It is profound and utterly moving, it is compelling and compulsive to read and it has you guessing at the turn of every page. The writing is lyrical and melodic, it twists and turns in exciting and unusual ways that focus your attentions and pull you along with the evolving story. What is expressed is such a pure reflection on the grief felt by those who lose someone and the way it reverberates through their life, for the rest of their life. I cannot urge you enough to buy this book and devour it like I did. It is beautiful and provocative, it is breathtaking, electrifying and ultimately utterly spellbinding.
Scattered throughout this book's pages are photographs, diagrams, pages filled with random numbers and pages on which words squeeze together so that you can't read them. These have little to no purpose, waste paper and hide the fact that "Extremely Loud and Incredibly Close" is annoyingly sentimental, poorly structured and contrived. Foer's aim clearly is to stack up awww points by way of the following: innocent Nine year old boy suffering a loss - 500 pts Old, Lonely, eccentric but friendly man befriends said boy - 859 pts Dad dies in 9/11 attacks. Was the BEST HUMAN BEING AND FATHER WHO EVER LIVED - 1000 pts and extraordinary acts of human kindness and tragedy throughout showing how beautiful and precious human life can be etc etc building life up so that when the reader remembers 9/11 they get ANGRY and sad it's just astoundingly manipulative. And I haven't even begun to mention the other narrators which often left me feeling lost and wondering what they were doing existing apart from to say something vaguely poetic and wet. Don't buy this based on how OK everything is illuminated was, it has so much less charm than that. Maybe buy the book if you're old and have grandchildren. You're probably one of the few people that might like this book.
How can a 9-year-old boy cope with the sudden death of his father? Its tragic enough to lose a parent at such a young age but to lose him in such a spectacular tragedy as the attack on the World Trade Center adds extra pain. The boys father left several messages on the answer phone and not knowing how he felt during his last minutes torments the boys imagination. The boy tells us the story himself, meet Oskar Schell, who introduces himself on his card as Inventor, Jewelry Designer, Jewelry Fabricator, Amateur Entomologist, Francophile, Vegan, Origamist, Pacifist, Percussionist, Amateur Astronomer, Computer Consultant, Amateur Archeologist, Collector of: rare coins, butterflies that died natural deaths, miniature cacti, Beatles memorabilia, semiprecious stones, and other things. Do *you* know a 9-year-old boy who gives people his card and describes himself in such a way? I dont. When he says, I read the first chapter of History of Time and got incredibly heavy boots about how relatively insignificant life is, and how, compared to the universe and compared to time, it didnt even matter if I existed at all, we understand that hes a very special specimen indeed. Precocious is his middle name, Id say, Im not sure that Id fall for him, he comes over as rather nerdy. On the other hand, he behaves just like a child his age does, he loves being tucked in at night and is very affectionate to his grandmother and his cat (less so to his mother). He refuses to drink coffee because hes convinced that if he does, hell grow up more quickly which hes trying to avoid and walks around with a tambourine - Günter Grass Oskar Matzerath from The Tin Drum is sending his regards! I found Oskar highly original and enjoyed reading about him, but the joy was over on page 15, a completely different story starts on page 16. Oh, no! I thought, hes done it again! Structurally, Jonathan Safran Foers second novel is made just like his first Everything Is Illuminated, after introducing odd characters and engrossing the reader into the story a new thread begins that seems to have no connection with the first - which in the end it does, of course, but I found it irritating the first time and wasnt too happy the second time, either. The second, and later the third, thread are the stories of Oskars paternal grandparents who met each other in Dresden during the Second World War. It's an unusual love story told from different points of view, Im not sure Ill remember it for long but Ill always remember the description of the bomb attack by the allied British and American forces on Dresden on 13th February 1945. German readers of a certain age will react to this part more emotionally than readers of other nationalities, when Dresden burnt, I was one year old and lived about 60 km to the east, ten years later my mother and I moved to Dresden, what if . . . ? Safran Foer has set a train of thoughts in motion that makes me forget the story proper for a while. Oskars and his grandparents stories are told alternatingly, but the main part of the novel deals with Oskars search for a lock for a key he finds in a vase in his fathers belongings one year after his death. He estimates that there are about 162 million locks in New York and despairs, but then he discovers the word 'Black' on the envelope the key is in, consulting the telephone directory he finds 216 addresses listed under the name 'Black' and in the course of eight months he visits them all. For some time a 103-year-old Mr Black helps him with his search, Paul Auster, the famous American novelist, author of The New York Trilogy containing a Mr Blue, a Mr White and a Mr Black, a friend of Safran Foers and a fellow Brooklyner is sending his regards! The search for the lock doesnt make the novel a thriller but it adds an element of suspense and holds Oskars story together, in my opinion it was chosen to provide the author with the opportunity of introducing some extraordinary characters and I must say that I really enjoyed reading about them, Safran Foer is brilliant at inventing people and situations we wouldnt think of ourselves. Hes funny, makes us think and can touch us emotionally, what more can one want from an author? The book looks different from all the books youve ever seen, it contains (slightly out of focus) photos which have to do with Oskars search, some pages full of numbers instead of letters which can be deciphered with the help of a telephone, three empty pages, some pages with photos which can be seen as a flip through booklet and other gags. Im using the word gags, Im not going to dig for a deeper meaning here because I think Safran Foer is a jokester, after all hes only 30 years old and obviously of the opinion that its possible to be light-hearted and profound at the same time - a mixture I appreciate. I read Extremely Loud&Incredibly Close at the beginning of January, a bit early to make it Book of the Year, yet Id like to do just this, all other books Im going to read in 2007 have to make an effort to reach it - to say nothing about surpassing it. Penguin First published in 2006 326 pages Cover price 7.99 GBP
Nine-year-old Oskar Schell is an inventor, amateur entomologist, Francophile, letter writer, pacifist, natural historian, percussionist, romantic, Great Explorer, jeweller, detective, vegan, and collector of butterflies. When his father is killed in the September 11th attacks on the World Trade Centre, Oskar sets out to solve the mystery of a key he discovers in his father's closet. It is a search which leads him into the lives of strangers, through the five boroughs of New York, into history, to the bombings of Dresden and Hiroshima, and on an inward journey which brings him ever closer to some kind of peace.