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Gloria is currently residing in an old folks' home because she is 'losing her marbles.' Her son, Hank, and his wife keep turning up, looking increasingly concerned. One day Hank produces a familiar-looking old box and wants to talk to Gloria about its contents. Then a mysterious woman called Jill arrives, asking all sorts of awkward questions about the past and demanding answers. The trouble is there is so much that Gloria can't or won't remember. As she puts it, "I don't even remember why I don't remember, there's stuff I don't remember forgetting either." However, Gloria can remember a lot about the war years, about working at the munitions factory during the Blitz and how she and her sister, Marje, went by the philosophy that you had to live every day as if it was your last and grab love with both hands when it came along. She remembers falling in love with a GI called Ron and the sexual awakenings that came with it. Although the war years were a time when people lived for the moment, Gloria has learned that sometimes you end up having to face the consequences of that moment many years later. As she tells us - "my war, it was a tiny little war compared to some. But mine stayed with me, and the things it made me do, they stayed with me too, but hidden." In this novel there are two stories running alongside each other. We have Gloria's 1940s story and also her modern story, residing in the old folks' home, trying to remember who all the different visitors are who keep disturbing her peace, seducing a horny old resident called Ed, being questioned by a specialist, having conversations with her friend Doris (who happens to be dead) and being plagued by visions of a little girl with a string of beads, who sits on the end of her bed and drips blood and pond weed. The two stories overlap and as the book reaches its conclusion we see past, present and future dramatically merging into one. This is a quirky novel which appealed to me on many levels. The edgy, wartime romance, Gloria's larger than life persona, and the surreal writing style totally drew me in. I love books with strong-minded, bolshy elderly characters which blow away all the stereotypes of how people should think and behave when they reach the twilight years of their lives. The disjointed style, with the narrative flicking back and forth between the war years and the present day captures Gloria's muddled, rambling mind perfectly. I found Gloria a wonderful character. She is brash and vulgar with a penchant for politically incorrect jokes and she has a complete lack of tact. She reminded me a bit of how my gran was in her later years when senility started to set in. But there is far more to Gloria than just a confused, embarrassing old woman who is losing her marbles. Gloria is also someone who has known the agony of love and who has carried a guilty secret around with her for fifty years. Her story is funny but tragic at the same time. I adored Gloria's robust spirit. Often she had me laughing out loud. She is somewhat deluded. In her head she is still the same 'swell kid' she was in her younger years, when she could drive her blue eyed airman crazy with her sexual prowess. When she first arrives at the old folks' home she asks, "why's everyone so blinking old in here?" These days Gloria has to make do with the amorous attentions of Ed, who is nearly 90. In one of the weirdest love scenes I have ever read, she describes their dentures together in a jar by the bed - "they sat there in the Steradent like two pink crabs that's huddled together and has fallen in underwater love." Another great moment is when Gloria's well-meaning daughter in law brings her some semi-precious healing stones to 're-energise' her and Gloria throws them at the window, smashing it, and yells - "do I look like I need bloody sodding stuffing blinking re-energising?" I like the way the author has managed to combine dreamlike elements with gritty realism. She recreates the atmosphere of the Home Front perfectly and the black humour somehow makes the events of the novel more poignant. I find this a fascinating period of history and I was impressed by the attention to detail. I could almost feel the excitement of Gloria and Marje as they got ready for a night out, painting each other's legs with old tea and splashing fake, black market Chanel behind their ears before a night of jitterbugging. The text is full of sensory imagery, which evokes so much about the sights, smells, sounds and tastes of war - the blackout, the sulphur smells of the munitions factory, the sweet taste of canned peaches in syrup (a present from the Yanks), the sound of doodlebugs, the texture of the National Loaf, the itching of nits breeding under the turbans worn by the munitions workers, the kiss of an airman, which tastes of "rum and ciggies." I thought it was beautifully written. I loved the way the physical wreckage and maiming of war provides a metaphor for emotional damage. As Gloria puts it - "some things isn't wrecked the same way as houses." For all its dark humour, the novel deals sensitively with the subject of memory loss, asking us to ponder who/what we are without our memories and exploring the way we repress painful things in order to survive. It made me ponder the question, who owns our memories? Are our memories the one thing that we have that are our own, to do with as we please, or do we have a duty sometimes to open up to others who may be affected by those memories? Throughout the novel I found myself wondering how much Gloria had genuinely forgotten, how much she had chosen to forget and how much she had invented. The book certainly made me think about the capacity of the human mind to create and sustain alternative realities, always a subject that interests me. I would recommend this book without hesitation. I completed it in less than a day and I am not usually a fast reader. It made me experience a whole range of emotions and was one of those books that I thought about for a long time after I had finished reading it. Only rarely do I find myself drawn back to a book and wanting to read it again, but I'm sure I will be re-reading this one several times again during my life, which is the main reason why I have given it a 5 star rating. It provided a fascinating insight into women's experience of war and what the women were really doing whilst the men were out there "having a crack at Jerry" and the brutal reality behind the romantic myths of wartime romance that we have been fed by so many movies. Although some of the things recounted by Gloria are upsetting and shocking, I do think it is a hopeful novel as it is about a woman finally at the age of 79 unburdening herself and looking for closure. Gloria's foul-mouthed outbursts and crude jokes might put some people off, as may the graphic sexual references, so perhaps it is not a book for the narrow minded, but certainly, in my view, it is an unusual and quite haunting read. This book can be bought new from sellers at Amazon.co.uk for as little as £0.01 plus £2.80 delivery.
INTRODUCTION Thanks in the first instance to Caroline (Moistbabe from Ciao) for reviewing, so beautifully, this book - which led me to purchasing and reading myself. The imagery and blurb, plus impressive praise from reputable sources also encouraged me to buy. SYNOPSIS Gloria experienced the trials of life during the Blitz. Living with her sister Marje in the family home and getting by as best they could in the difficult circumstances of war time Britain. Both girls worked in a munitions factory, which demanded much of their time - because of this they soon realised that they had to 'grab what they could' and enjoy precious moments whenever it was possible - some good and some not so good. Fifty years later, whilst residing at Sea View, Gloria's past comes back to haunt her in more ways than one. It is time for Gloria to remember what she did all those years ago. NONE OF YOUR BEESWAX! Written in the first person and following two plot lines I thought that this composition was skillfully crafted. The flow of the prose from one time period in the second world war - into another era some fifty years later - was flawless. The main protaganist, Gloria, is a colourful and engaging spirit from the onset. I quickly familiarised myself with her quirky traits and often found her high spirited and amusing. Though she could also be coarse and there is use of bad language periodically throughout the book. I warmed to Gloria and developed empathy and sympathy for her. I have never really considered what life must have been like in the war - Gloria made me sit up and take notice. I found this book to be thought provoking. Gloria and her sister Marje lived by a rule - if you have a chance of love then you must grab it with both hands and hold onto it. You had to live for the day as tomorrow you may be dead! And it was dog eat dog too - nobody was off limits if there was a small glimmer of hope that you may find love. Love is what Gloria desired and when she did finally get that chance she discovered that she would do much more than she ever dreamed off in order to secure it. I considered that Gloria's choices and behavior where believable and could imagine how your ethics and morals would change if you had no choice but to live each day as if it where your last. The research into this era was impressive - all of my senses were aroused as I entered a time when food was limited, hunger was common, cosmetics were scarce, hosiery was rare - and improvisation was used to make the most of your assets. A night out was eagerly anticipated and the music of the era was brought to mind along with smells and sounds. I imagined what it was like to be in total darkness at night time to avoid attracting German bombers. The supporting characters where developed appropriately and I gained enough information about them to recognise their personality and qualities. I can't say that I warmed to any of them to the extent that I did to Gloria, though I could empathise with them. As the story continues there are difficult times ahead for Gloria in the Blitz. One being that she will see her sister leave the family home to work in London and her boyfriend, Ron, will return to action in the war - meaning that she has compulsory tenants living with her. I could not even begin to imagine how difficult that would be, but I soon get a taste of what it may be like from Gloria's account. This really did spark an interest in the war and I intend finding out more about what life was like in the towns and villages of war time Britain. The prose jumps from one era to the other throughout the book and 50 years on Gloria is portrayed sensitively as an elderly lady with memory problems - this too is thought provoking and at times brings a smile to my face with the gentle humor that is blended in. Gloria has a son, Hank, who wants to find out something of great importance to him - I got the impression that it was urgent. Among a stream of visitors is an intriguing lady called Jill who quizzes Gloria repeatedly about the past I wondered why? The only problem is that Gloria cannot remember her past - or is it that she will not allow herself to. 'Mind your own Beeswax' is what Gloria thinks about anyone prying into her past and she can become assertive and stubborn when Hank attempts to get the truth from her. Gloria experiences dream type states and memory loss - this confuses her at times as she wonders what is reality. The muddled musings and inappropriate responses to questions where completely credible - sometimes amusing and frequently poignant. It was obvious that Gloria was suffering and sometimes there were tears in her eyes when she was prompted to divulge the past - I felt so sorry for her on these occasions. I was mindful of the suffering that Hank was experiencing too and could understand why he was so persistent. As the final stages of the story unfold I could not have guessed what Gloria was keeping hidden within her. I was surprised and the revelations stayed with me for some time after completing the book. This is were the two plot lines really merged together nicely and I appreciated how meticulously the prose had been developed. All loose ends were tied up nicely and the conclusion was completely satisfactory. NOW THAT YOU KNOW WHAT DO YOU THINK? I thoroughly enjoyed this book right from the first page. I was captivated, I wanted to know what was going to happen. I was interested in what it was like to live in war time Britain and at times I was shocked. Gloria made me giggle, smile, cringe and cry! Some use of bad language and sex themes are included occasionally but that would not deter me from reading the book again. The plot lines where solid and ran alongside each other fluidly and I did not find it confusing. Themes within the prose include betrayal, love, suffering, hate, revenge, remorse and denial. The subject of memory problems was introduced sensitively and afforded me a better understanding of what it is like for all concerned. Though Gloria's story is somewhat poignant the book is full of humor - including numerous jokes which Gloria loved - I had a smile on my face throughout. There are some fantastic moments at Sea View with Gloria's friend Ed! Reading is believing! This was an eye opening, entertaining and heartbreaking read. BITS AND BOBS PRICE: £5.59 from Amazon.co.uk at the time of reviewing. AVAILABILITY: Amazon & most good book stores. ISBN-10: 074756146X PAGES: 240 GOODBYE GLORIA Thanks for reading the review, I thoroughly enjoyed this book and warmed to Gloria - I will miss her but shall read the book again in the future. I can recommend it highly. The review will also be published on Ciao under my username dawnymarie.