We Will Rock You
For Valentines Day this year, I decided to buy my other half tickets to see We Will Rock You at the Dominion Theatre in London. History Six years ago, the remaining members of the group Queen (obviously minus Freddie Mercury) joined together with Ben Elton and an internationally renowned creative team to create the stage ... show We Will Rock You. This musical features 31 of Queen's hits.
The first show of We Will Rock You took place in May 2002 at the Dominion Theatre on Tottenham Court Road in London. This show has now been running for the last six years and all shows are still sold out so that in itself goes some way to showing you just how popular We Will Rock You is.
The Dominion Theatre
The Dominion Theatre is located on Tottenham Court Road, literally just opposite the Tottenham Court Road tube station so it is very easily accessible. In fact, it is only a ten minute walk from Leicester Square. Although the Dominion Theatre is pretty centrally located, it is actually quite a way away from all the other theatres, the area which is often referred to as 'Theatreland'.
The Dominion Theatre was built in 1928 and was converted into a cinema in 1930. Charlie Chaplin's City Lights ran in this very theatre with Charlie Chaplin making a personal appearance. As well as there being the theatre itself, there is also a dressing room block and administration rooms on the right hand side of the building and then there are shops, offices and residential buildings on the left of the theatre.
The Dominion Theatre is able to seat 2060 people and if one of the larger theatres in London.
We Will Rock You is set in 2046 and all forms of music and musical instruments have been banned from Planet Mall (formally known as Planet Earth). Globalisation has taken over and people are expected to wear the same clothes, act in the same way and have the same thoughts! Everyone on Planet Mall live in Gaga World and their leader is the Killer Queen and her assistant Khashoggi.
There are of course, people who object to this way of living, and have their own thought and want to act in their own individual ways. One of these rebels is Galileo Figaro who dreams about songs and song lyrics. Of course, everyone else in Gaga World think that he is mad! The other rebel is a girl who enjoys wearing different clothing to the other Gaga girls and feels like she doesn't fit in with them.
Killer Queen decides to catch these two rebels but they manage to escape. These two character strike up a friendship Galileo names the girl Scaramouche and she refers to Galileo as Gazza.
Gazza and Scaramouche head off on a journey to try and find the music, during their travels they meet a group of Bohemians who are also looking for the music. Unfortunately, Killer Queen finds the group of people and arrest them all, only Gazza and Scaramouche escape.
It is up to these two to see if they can find the musical instruments which they know are hidden somewhere on Planet Mall and bring back the music. Will Gazza and Scaramouche outsmart the Gaga World and Killer Queen? Or will they be captured and brainwashed like all the other people?
INNUENDO - a recording of Freddie Mercury doing lead vocals with the cast doing the backing vocals.
RADIO GAGA - This is sung by the Gaga Kids and some of the lyrics have been changed to fit in with the story.
I WANT TO BREAK FREE - the first half of this song is sung by Galileo and the second half is sung by Scaramouche.
SOMEBODY TO LOVE - This is sung by Scaramouche and the Gaga Girls.
KILLER QUEEN - this is performed by the Killer Queen and her assistants.
PLAY THE GAME - again this is performed by the Killer Queen and her assistants.
UNDER PRESSURE - this is sung as a duet by Galileo and Scaramouche.
A KIND OF MAGIC - THIS is sung by the Killer Queen and her assistants.
I WANT IT ALL - is performed by a selection of the Bohemians.
HEADLONG - the vocals are shared between the Bohemians, Galileo and Scaramouche
NONE ONE BUT YOU (ONLY THE GOOD DIE YOUNG) - this is sung by Scaramouche on the lead vocals and the Bohemians doing the backing vocals.
CRAZY LITTLE THING CALLED LOVE - this is sung by the Bohemians, Galileo and Scaramouche.
ONE VISION - this song opens the second act and is such by the Gaga kids doing the backing vocals with Freddie Mercury doing the lead vocals.
WHO WANTS TO LIVE FOREVER - this is sung by Galileo and Scaramouche.
YOU'RE MY BEST FRIEND - this is sung by Galileo and Scaramouche.
FLASH - this is sung by the Bohemians
SEVEN SEAS OF RHYE - sung by Khashoggi and Bohemians
FAT BOTTOMED GIRLS - this is performed by the Killer Queens and her assistants
DON'T STOP ME NOW - is performed by the Killer Queen
ANOTHER ONE BITES THE DUST - again performed by the Killer Queen
HAMMER TO FALL - is performed by Galileo and Scaramouche
THESE ARE THE DAYS OF OUR LIVES - performed by the Bohemians.
BICYCLE RACE - performed by the Bohemians.
WE WILL ROCK YOU - sung by Galileo and the cast
WE ARE THE CHAMPIONS - again sung by Galileo and cast
BOHEMIAN RHAPSODY - this is sung by Galileo, Scaramouche, Killer Queen, Khashoggi and Ensemble
All the songs were performed to an excellent standard and I particularly liked Scaramouche as I thought she had an outstanding voice. Most of the songs include a certain amount of dancing which all fits in with whatever is happening on stage at that time.
The set is very striking, and set a bit like a rock concert with lots of bright lights and stage effects. There are eight massive screens at the back of the stage which play visual effects and often come into the show itself showing telephone conversations.
The set for the Bohemians scene was done especially well and it showed ruins of Tottenham Court tube station.
Parts of the set moves and there are also raised areas with steps that the cast use during the various performances.
Other parts of the set include a Harley Davidson motorbike, an old camper van and many more.
The sound was another aspect of this show that was exceptional. The music was nice and loud without being so loud that it left your ears ringing. There was a live band which sits to the side of the stage and provides all the music for the show.
I paid £35 for each ticket which I thought was very reasonable. Obviously some seats are more expensive at £60 a ticket but this would guarantee you a seat near the front. We sat in the stalls with our tickets and could see the show perfectly from here so I was more than happy with the price we paid and feel I got good value for money.
I would highly recommend a visit to the musical We Will Rock You. I thoroughly enjoyed my experience here. The cast very superb, all of them has great voices, especially Scaramouche and I felt that each character was believable. The costumes were also great, with matching costumes for the Gaga Kids and a gothic look for Scacamouche just to name a couple.
The special effects were impressive, the screens behind the stage fitted in really well to what was happening on the stage and the lights and sounds really made the show!!
The dancing was another aspect of the show I enjoyed, the routines were fun to watch and the dancers were perfectly in time with one another and really appeared to be enjoying themselves.
I am unsure whether this show is meant to be a tribute to Queen but if it was then I felt the cast certainly did them justice with their performances. 100% recommended!
My only grumble is that food and drink inside the theatre are a little overpriced!
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Legally Blonde the Musical
For years I had wanted to see this show but never got round to going. When I found out it was going on tour I realised if I didn't go soon I could miss out altogether. I chose to see it in September last year at the Manchester Opera House. Legally Blonde is based on the book written by Amanda Brown and the film which stars ... Reese Witherspoon of the same name. The musical began on Broadway in April 2007 and started at the West End in January 2010. It won three Laurence Olivier Awards, one of which was "Best New Musical". In 2011 and 2012 it went on tour across the UK.
The story follows a fun and bubbly girl Elle Woods who absolutely loves pink. After her boyfriend broke up with her because she was not "Serious" enough, she follows him to Harvard Law School to prove him wrong.
After being accepted into Harvard by an unique personal essay she discovers an enemy Vivienne, who much to Elle's disgust is Warner's (Elle's ex) girlfriend.
Elle has difficulties showing her knowledge as people judge her by her pink and girly look but she is soon reassured by a friend at a local hair salon.
She is soon reassured that you can have brains and beauty and with the help of her friends tries to win a legal case for a former Delta Nu, Brooke, who she believed was wrongly imprisoned.
The cast I saw included Faye Brookes as Elle who was perfect for the role. Gareth Gates as Warner and Jennifer Ellison as Paulette (the salon worker).
The music is fantastic and makes you want to sing and dance. It fits perfectly into the story and really makes the musical fun to watch. Some of my favourite songs are "Omigod You Guys" and "So Much Better".
The dancing has various styles which includes Irish dancing during "Legally Blonde Remix". These are choreographed by Jerry Mitchell.
The show has many different settings of which include, the Harvard law campus, delta Nu house, Elles home of south California and her very pink room at Harvard. These change regularly and seamlessly.
The look and costumes of the show are important and predictably mostly pink. It is Elles favorite colour!
I absolutely loved the show and if I had the chance to go again I would. Although it is not on tour in the UK at the moment I have watched it on YouTube again and again, and of course bought the CD. I highly recommend people to watch this if they have seen the film as it is even better. So much better than before!
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Les Miserables' is one of the biggest musicals around and the longest running in its 27th year. If you are a fan of musicals or just enjoy catching a live show every now and then, this one might be one you have already seen or one to definitely check out. It is also a show that would suit everyone and attracts a wide audience because of ... the range of themes within it and has a story that works perfectly when turned into a musical show.
'Les Miserables' takes place in Queen's theatre, on Shaftesbury Avenue located in Piccadilly Circus/Leicester Square, the closest underground stations are either Piccadilly Circus (Piccadilly line/Bakerloo line) or Leicester Square (Piccadilly line/Northern line) not far from China Town both only a short walk from the stations and a perfect location to catch dinner after the show - but the worst location if your returning home when all the shows finish around the same time.
'Les Miserables' can be seen from Monday to Saturday in the evenings at 7.30pm. Matinee shows can be seen on Wednesday and Saturday at 2.30pm. There are no shows on Sunday. The show runs for 2 hours and 50 minutes with one intermission of around 15 minutes in the middle.
The shows ticket prices stay the same most of the year round. You won't save any money by booking tickets in advance, but you might save money booking tickets last minute, either online or booking on the day from the box offices in Leicester Square, although your seats might not be as as you preferred. Below are the different areas you could choose from, but officially Queen's Theatre offer: Stalls, Royal Circle, Upper Circle and Standing area (Balcony - back of the theatre).
* Stalls: Stalls are usually all on one flat level without much of a gradient and all the stall seats are located in roughly the front half of the theatre, are on a level lower than the stage and so you will be looking up at the stage from these seats which means you might miss some of the stage features on the floor for example. Just make the decision of which tickets you go for in the stalls according to the row number offered; back rows of the stalls are bad seats in my opinion - the best of the stalls are normally roughly near the front and in the centre. Stalls prices for Les Mis are around £100 for premium seats near the front and around £70-£60 at other stall seats, like near the back and around the sides.
* Dress Circle: Dress circle I think are best viewing seats as long as you are at the front. Seats we have chosen have previously been near the front of this lot and there are stunning views to be seen. The Dress Circle is lower than the Upper Circle and slightly forward so the views will be better. You are also at a good level in relation to the stage, so you will get a better view of it, you won't be looking up like you do when in the stalls which I think is great - better at seeing some of the effects like the rotating floor etc. Prices at the back and sides of the Dress Circle range from around £50-£45, but the best seats of the Dress Circle are around £60 at the front centre rows.
* Upper circle/Grand Circle: The Upper circle is very high up at Queen's theatre and front row here can be priced almost the same as seats near middle of the Dress circle. If at the front, you will have the same sort of view as that of the Dress Circle only that you will be higher and up and it might look slightly more distant. The prices are around £35-£40 if they are "restricted view" tickets or side view and £40-55 for good middle front seats.
* Balcony/'Standing area': I personally wouldn't watch a show from the standing area. This is the area right at the back of the theatre, you could literally touch the back wall and you will stand in a line behind the last row of the upper circle. You can get seats for the balcony pretty cheap, around £20.
* "Sides" vs "Centre" Rows: If the seat you choose is on the edges of the theatre (like the early or later numbers 1-4 or 22-26) these can be awkward seats most times as you might not get the "full" experience that you'd get when sitting as centrally as possible - you might have areas of the stage cut off and could ruin your experience but with Les Mis in the Queen's theatre, its really weird because these seats are priced roughly the same, and almost as high as some of the great seats in the centre front - it may be to do with demand but don't pay the same when you can get better seats!
Before you buy your tickets, it could be a good idea to check the theatre seating plan map where you can see every little seat and can check out what seats exactly you are paying for and if they look as though they are awkwardly positioned in the theatre, you may as well avoid and go for others at similar prices. Plus on the official website - www.lesmis.com/uk/ - you are able to pick a range of seats and check out what the view will be like from those particular seats which I think is a very cool feature. Normally I have always avoided side seats and mostly the stalls altogether and also have never paid more than £40 - £50 per seat for any other theatre show but for Les Mis you might have to spend a bit more than £50 for that better experience (unfortunately).
About "Les Miserables"
'Les Miserables' is in its 27th year running since it was first showing in 1985. It is based on a novel also called 'Les Miserables' by French poet Victor Hugo. Obviously originally the story was in the French language and only later was it translated into English in 1985 where it was first performed in Barbican in London. The show won an Olivier award for most popular show voted by audience in 2012, last year.
What it's about: 'Les Miserables' is about a man named Jean Valjean who breaks parole, after spending 19 years in prison for stealing a loaf of bread to feed his sister's children. As the story begins, we see him trying to start his life afresh but gets into more trouble with the police and is caught again by Javert. Caught stealing again, he comes across the Bishop who tells a lie to help him and this in turn helps free him, both from further time in prison and from the state of life he had been living. This Bishop had been very kind to him and encourages him positively. And so after 8 years, he has changed his name to Monsieur Madeleine and becomes an owner of a big factory. Here, he finds that one of his factory workers called Fantine has an illegitimate child but the supervisor of the workers throws her out of the factory, leaving her with no work, no money and so she takes to the streets to sell herself to make the money she needs to provide for her daughter - who we later find is named Cosette. There are these sort of demanding and challenging things Valjean goes through in this story, where he is seen to be having dealings with the police continuously on his back, his rage at those people with the power, the kindness he offers with taking care of Cosette who he promises Fantine, the intense experiences of the citizen rebellion against the French army in this post-revolutionary Paris and keeping from Cosette, as she grows up, her own background history. 'Les Miserables' like the title suggests is a sombre tale but is told beautifully and captures our imagination through the experiences we see the characters go through. There are much more serious tones than there are happy ones, but I find it very compelling and uplifting because of the journeys we see some of the characters go through as the story builds up.
The characters: Jean Valjean when he is released from prison - also known as "prisoner 24601" by Javert - is seen as a tough and hardened criminal. His hate for society is powerful, and he doesn't hold back but he soon becomes the hero of this story because of the right paths he chooses to take along the way, the friends he makes and the kindness and sentiment he is able show as well. And although we see that he is capable of affection and kind-heartedness especially when he steps in to take care of Cosette, throughout the story he still remains strong mentally and physically as he always was. The injustice to our protagonist for his treatment of petty stealing becomes stronger as viewers. The next most important character of the show might be Cosette. We see her in her childhood as a servant with a bucket cleaning the tables at the Thenardier's inn in her first scene. But as the show goes on we see her grow up into a young woman who is loyal to her father, she has been brought up the way Valjean has wanted and she turns out to be a well-educated and happy person to who she was but she develops her own issues. We also see that she has a love interest Marius which allows for some more personality development in Cosette. Another important character in the musical is Javert, the police officer who we see pursuing Vajean but whom we can not empathise with as he comes across as unfair. He sticks to his rules, shows no heart and is dedicated to completing his work. Throughout there is a constant clash between Valjean and Javert and lots of drama and it is interesting when things get heated. Few more other important characters in the show, are Fantine who we see near the start of the show - a poor working class women, the mother of Corsette and we see her go through extremes to protect her child and ensure her safely. And then there's the Thernardier's - evil and abusers of Cosette as a child, selfish and money-hungry, but very funny as characters in the show and there is Epoinine, another very interesting character, since she is the daughter of the Thernardier's where we see her helping them of course with their pitiful work - but it is interesting to see her personality change as she falls for Marius.
The cast: The cast of 'Les Miserables' on stage bring us the entertainment we paid to see and so they are expected to build up a connection with the audience as best as they can, capture our attention for around to 3 hours and leave us with an awesome musical experience. The cast were brilliant and they did a great job at doing all of that. Each of them portray their characters with acting and singing very well, the way it seemed was the best they could have, flawlessly without any obvious slip-ups and they are believable and appealing with lots of emotion, personality and humour where needed. The cast current include Gernonimo Rauch who plays Jean Vajean, Tam Mutu who is plays Jervet, Fantine played by Sierra Boggess, Cosette played by Samantha Dorsey, Marius played by Craig Mather, Eponine played by Danielle Hope (Dorothy from 'Wizard of Oz' before it closed in the West End last year) Other cast members include Cameron Blakely (Thenardier), Linzi Hateley (Madame Thenardier), Liam Tamine (Enjolras).
Themes/Issues: Issues of a cruel society and its law and beggars versus petty criminal and its unfairness, self-sacrifice and bravery, love and death and trust and childhood, saving yourself, selling yourself, the treatment of women and their place in society and the attitudes of men, are some issues that go to make up the content of Les Mis. As the show opens we are instantly shown a level of poverty and the difficulties faced by these poor people and the song 'Look Down' which opens up the show illustrates this - it feels grim and oppressive as a start but then again we didn't expect a colourful musical anyway - so it was a perfectly appropriate beginning. As the story continues, we are taken along with a mixture of many more different themes: like plenty of horrors of unfair death, poverty, 'sacrifice' and abuse, romance such as the strong relationships and the developing love between Cosette and Marius/the beauty of the father-daughter relationship between Valjean and Cosette, then there is plenty of action like the scenes of battle on the barricade and not to leave out plenty of dramatic episodes through a journey of highs and lows. Although, like I mentioned, there is more to feel gloomy about when we see some of the more saddening revelations within the drama from the start to its very final scene, it still captures plenty of humour like the behaviour of the working class and other little unexpected bits here and there which was always a welcome addition. Overall this story is packed with lots of different themes but all of it leads back to poverty and hardship.
The show/production: There is a lot going on on the stage and the pace of it is quick and the visuals are appealing - just how we would expect it to be really, so don't mistake the gloominess of its sbuject and the serious tones to Les Mis as dull! The actual stage has the effect, probably like most theatre productions, of drawing us into its setting were we see the effect of bricked paving outdoors during the night and windows and walls indoors and table and chairs, food and drink in the inns and additionally, the stage rotates on a revolving circular plate that makes up the floor of the stage to add some imaginative motion and reality to the drama. There are barricades brought onto stage later on which form in a rather outlandish way joining on either sides of the stage and used in scenes of the revolt with the actors on their guns that light and bang loudly, again keeping to the reality of the events as much as possible and really successfully. There is no spoken dialogue in the show - all is sung in a musical format unlike some others shows in the West End. I have to say I personally like a combination of spoken and sung, but then again I think the way we see it here works perfectly in this case and took us away with the powerful vocals since singing has more tendency to bring out greater emotive content.
In terms of seeing the whole production comfortably, one thing I do think strongly is when deciding on which seats to finally book, 'Les Miserables' is one show you need to really make sure you are sitting as close to the stage as you can (like in the front or near the front rows of the dress or the stalls) since it is heavily based on the emotion that these characters are trying to show and so you really need to see their facial expression etc for the best effect - if you cant see there faces, that will be one element you will miss out on. The production of this show is really not like 'Wicked' or 'Lion King' where it is all really 'massive', hugely scaled, glitzy, bright colourful lights and really OTT where you could easily get away with a brilliant experience somewhere near the back. Les Mis is slightly more subtle than that and you might risk feeling slightly disconnected when sitting near the back - that is the mistake I made the second time round when I went to watch Les Mis - I thought I could get away with it, but I definitely couldn't (Although I did end up saving a bit of money anyway...!)
Music/Songs: Since there is no spoken dialogue within the show and every bit of the story is sung, all of the songs linked from one to another tell the entire story of 'Les Miserables'. Live music from the orchestra sounded great and the songs are some of the catchiest of a lot of musicals out there. The story of 'Les Miserables' is not totally a piece of cake though - many people find it long-winded, confusing at times and you really got to concentrate, and so do I. It is sometimes difficult to follow the singing the first time you hear it especially when the songs are completely new to you and the first time I went to see it I found it difficult to pay attention to the lyrics of the songs, focusing more on the overall sound of it. So it may be a good idea to find out the basic plot before watching. The songs are still stunning though, and the sound is very powerful and intense. Some of the most popular well-known songs of Les Mis are: 'Who am I' sung by Valjean when he questions himself on who he is after stealing and he makes a wise decision at this point that we see following into the next song within the story. Another favourite is 'Do you hear the people sing' (singing the song of angry men) which is another well-known of the show since its most of the cast singing together and a song with basically sums up the entire musical and very uplifting all on its own; I Dreamed a Dream' - another favourite sung by Fantine where she is thinking back to her past and how her life was to how it is now when she is unhappy. And of course the list goes on....
If you like a good show, with great songs and lots of meaning, action and depth then you should really get yourself tickets to go and see this - It will not disappoint. I really just can't recommend this musical any more than that! Of course I cant wait to see the new 'Les Miserables' movie in the cinema but going to watch it in theatre is a much more intimate experience that you wont forget as soon as you might the film. The only downside to this musical is that the tickets prices are generally higher than most other shows unless you are willing to sit somewhere near the back, in which case your experience might be poor. Overall a brilliant quality show, and this wont be my last time I see the show, I'm sure, one of the reason why a show like this still carries on after 26th years!
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