Rebecca Smith's directorial adaptation of Freidrich Schiller's 'Don Carlos' is unusual for a Fringe play in lasting well over an hour, though the performance has still been heavily edited by Mike Poulton by a remarkable two-thirds. The performance feels inhibited by this time pressure, as scenes overlap for a quick turnaround to waste as little time as possible, but this keeps the drama intense. Smith's production is effectively minimalist, performed by a cast in basic formal attire with only basic lighting and sound effects to supplement the fine acting. Well-chosen from Sedos' players, each cast member really looks the part, from the young and effeminate Don ...  Read the complete review